The Description of the Four Durgā Mantras
आकर्षणीं हृदि पुनः सर्वांतभृगुसंस्थिताम् । संमोहनीं क्रमादेवं बाणन्यासोऽयमीरितः ॥ ५४ ॥
ākarṣaṇīṃ hṛdi punaḥ sarvāṃtabhṛgusaṃsthitām | saṃmohanīṃ kramādevaṃ bāṇanyāso'yamīritaḥ || 54 ||
പിന്നീട് ഹൃദയത്തിൽ വീണ്ടും ‘ആകർഷണീ’യെ ന്യാസം ചെയ്യണം; സർവാന്തങ്ങളിൽ അധിഷ്ഠിതമായ ‘സംമോഹനീ’യെ ‘ഭൃഗു’സ്ഥാനത്ത് ക്രമമായി സ്ഥാപിക്കണം. ഇങ്ങനെ ബാണന്യാസം ഉപദേശിക്കപ്പെട്ടിരിക്കുന്നു.
Narada (in instruction mode within a technical Vedanga/ritual-nyasa context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It codifies a precise inner-ritual (nyāsa) where specific mantra-śaktis are ‘installed’ in prescribed bodily loci, aiming to align the practitioner’s body-mind as a consecrated field for mantra-siddhi.
Though technical, nyāsa functions as devotional consecration: the devotee internalizes sacred powers in the heart and limbs, treating the body as a temple and supporting focused remembrance during worship.
It highlights applied ritual science—mantra-viniyoga and nyāsa-krama (procedural sequencing and placement terminology), a technical discipline associated with authoritative liturgical method rather than narrative theology.