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Narada Purana — Purva Bhaga, Shloka 49

The Description of the Four Durgā Mantras

हृद्यघोरकुमारादिकंदर्प्पं तदनंतरम् । गुह्यदेशे प्रविन्यस्येद्वामदेवादिमन्मथम् ॥ ४९ ॥

hṛdyaghorakumārādikaṃdarppaṃ tadanaṃtaram | guhyadeśe pravinyasyedvāmadevādimanmatham || 49 ||

പിന്നീട് ഹൃദയത്തിൽ അഘോരകുമാരാദി രൂപമായ കന്ദർപ്പനെ ന്യാസം ചെയ്യണം. അതിനുശേഷം ഗുഹ്യദേശത്ത് വാമദേവാദി രൂപമായ മന്മഥനെ സ്ഥാപിക്കണം॥

हृदिin/on the heart
हृदि:
Adhikarana (अधिकरण)
TypeNoun
Rootहृद् (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (अधिकरण), एकवचन
अघोर-कुमार-आदिकम्Aghora-kumāra etc.
अघोर-कुमार-आदिकम्:
Karma (कर्म)
TypeNoun
Rootअघोर (प्रातिपदिक) + कुमार (प्रातिपदिक) + आदिक (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; ‘अघोरकुमारादि’ = ‘Aghora-kumāra etc.’
दर्प्पम्Darp(a) (name/form)
दर्प्पम्:
Karma (कर्म)
TypeNoun
Rootदर्प (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन
तत्then
तत्:
Sambandha (सम्बन्ध/प्रयोगसूचक)
TypeIndeclinable
Rootतद् (सर्वनाम-प्रातिपदिक)
Formअव्ययवत् प्रयोग; अनुक्रमसूचक (then/thereafter)
अनन्तरम्immediately after
अनन्तरम्:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootअनन्तर (प्रातिपदिक/अव्ययीभावार्थ)
Formअव्यय; क्रमवाचक (immediately after)
गुह्य-देशेin the secret region (genitals)
गुह्य-देशे:
Adhikarana (अधिकरण)
TypeNoun
Rootगुह्य (प्रातिपदिक) + देश (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (अधिकरण), एकवचन; ‘गुह्यः देशः’
प्र-विन्यस्येत्should place/arrange
प्र-विन्यस्येत्:
Kriyā (क्रिया)
TypeVerb
Rootप्र-वि-नि-√अस्/न्यस् (धातु; ‘विन्यस्’ प्रयोग)
Formविधिलिङ् (optative), परस्मैपद, प्रथम-पुरुष, एकवचन
वामदेव-आदि-मन्यमथम्Manmatha beginning with Vāmadeva
वामदेव-आदि-मन्यमथम्:
Karma (कर्म)
TypeNoun
Rootवामदेव (प्रातिपदिक) + आदि (प्रातिपदिक) + मन्मथ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; ‘वामदेवादि’ = ‘Vāmadeva etc.’

Sanatkumara (in instruction to Narada, within a technical/ritual teaching sequence)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: shringara

A
Aghora-kumara
K
Kandarpa
V
Vamadeva
M
Manmatha

FAQs

It teaches internal worship through nyāsa—placing mantra-deity forms into specific bodily centers—so the practitioner’s body becomes a consecrated field for disciplined sādhanā rather than mere external ritual.

By prescribing devotional internalization: the deity is not only worshipped outwardly but installed within the heart and vital centers, aligning emotion (hṛd) and embodied life with sacred remembrance.

It reflects applied ritual-technology: precise nyāsa procedure (a technical prayoga) that relies on correct recitation and placement—closely tied to śikṣā (phonetics) and kalpa (ritual method) in practice.