The Description of the Four Durgā Mantras
प्रणवः श्रीः शिवायुग्मं वाणीवैरोचनीपदम् । वज्राद्यं क्षुधिता सूक्ष्मा मृता स्वाग्नींदुसंयुता ॥ २ ॥
praṇavaḥ śrīḥ śivāyugmaṃ vāṇīvairocanīpadam | vajrādyaṃ kṣudhitā sūkṣmā mṛtā svāgnīṃdusaṃyutā || 2 ||
പ്രണവം ‘ഓം’, ‘ശ്രീ’, ശിവനാമയുഗ്മം, വാണി (സരസ്വതി) പദവും ‘വൈരോചന’ പദവും; തുടർന്ന് ‘വജ്ര’ മുതലായ പദങ്ങൾ, ‘ക്ഷുധിതാ’, ‘സൂക്ഷ്മാ’, ‘മൃതാ’, കൂടാതെ ‘സ്വാഗ്നീ’ ‘ഇന്ദു’—ഇവയെല്ലാം വിധിപ്രകാരം മന്ത്രക്രമത്തിൽ ചേർക്കണം।
Narada (teaching in a technical Vedanga/mantra-prayoga context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It highlights sacred sound and divine appellations (Oṁ, Śrī, Śiva, Sarasvatī/Vāṇī, Indu) as formally enumerated elements in a technical ritual/mantra framework, stressing that spiritual power is approached through precise śabda (authorized terms) and their correct application.
By foregrounding Praṇava and divine names (Śrī, Śiva, Vāṇī), the verse implies that devotion is practiced through reverent recitation and disciplined use of sanctified names—bhakti expressed as regulated japa and liturgical speech rather than mere sentiment.
It reflects Vedāṅga-style technicality: controlled use of specific terms and epithets in mantra procedure—linking to Śikṣā (phonetic discipline) and Vyākaraṇa/Nirukta-like concern for correct word-forms and sanctioned nomenclature in ritual recitation.