The Description of the Four Durgā Mantras
आधारदेशेऽधिष्ठाने नाभौ पश्चादनाहते । कंठदेशे भ्रवोर्मध्ये बिंदौ भूयः कला पदोः ॥ १२१ ॥
ādhāradeśe'dhiṣṭhāne nābhau paścādanāhate | kaṃṭhadeśe bhravormadhye biṃdau bhūyaḥ kalā padoḥ || 121 ||
ആധാരദേശത്ത്, അധിഷ്ഠാനത്തിൽ, നാഭിയിൽ; തുടർന്ന് അനാഹതത്തിൽ; കണ്ഠദേശത്ത്; ഭ്രൂമധ്യത്തിൽ; ബിന്ദുവിൽ; പിന്നെയും പാദങ്ങളിലെ കലയിൽ—ഈ സ്ഥാനങ്ങളിൽ ക്രമമായി (ന്യാസം/ചൈതന്യം) സ്ഥാപിക്കണം.
Narada (teaching in a Vedanga/technical-yoga context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It outlines a dhāraṇā-map of inner concentration points—from base and navel through heart, throat, brow-center, and bindu—indicating a disciplined ascent of awareness used for purification and liberation-oriented meditation.
Though primarily yogic/technical, it supports bhakti by stabilizing mind and prāṇa; such steadiness makes japa, remembrance of Vishnu, and one-pointed devotion more continuous and less distracted.
A technical, methodical instruction akin to Śikṣā/discipline of practice: precise placement of attention (dhāraṇā) across defined subtle loci, showing the Narada Purana’s structured approach to yogic technique within its broader dharma teaching.