Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
न्यस्तव्यं वदने मूलं भूपश्चैत्रांस्ततो न्यसेत् । कण्ठमूले स्तनद्वंद्वे वामांसे हृदयांबुजे ॥ १४ ॥
nyastavyaṃ vadane mūlaṃ bhūpaścaitrāṃstato nyaset | kaṇṭhamūle stanadvaṃdve vāmāṃse hṛdayāṃbuje || 14 ||
മുഖത്തിൽ മൂലമന്ത്രത്തിന്റെ ന്യാസം ചെയ്യണം. തുടർന്ന് ‘ഭൂപ’ മുതലായവയും ‘ചൈത്രാ’ മുതലായ (മന്ത്ര/അക്ഷര)ങ്ങളും കണ്ഠമൂലത്തിൽ, ഇരുസ്തനങ്ങളിൽ, ഇടത് ഭുജത്തിൽ, ഹൃദയകമലത്തിൽ ന്യാസം ചെയ്യണം॥
Narada (in instructional discourse on technical ritual procedure, transmitted in the Narada Purana’s Vedanga-focused section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches nyāsa—sacralizing the practitioner’s body as a seat of mantra by assigning the root mantra and its components to specific bodily loci (mouth, throat-base, chest, shoulder, and heart-lotus), aligning speech, breath, devotion, and inner awareness.
By directing the mantra into the heart-lotus and vital centers, the verse shows bhakti as embodied remembrance: devotion is not only recitation but an inward installation of the deity/mantra so worship becomes continuous from speech to heart.
Ritual-technical practice (prayoga) akin to Vedanga-style discipline: precise nyāsa sequencing and bodily “anga” mapping for mantra-japa/upāsanā, ensuring correct application of mantra in worship.