Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
श्यामा सरस्वती वृद्धा वैष्णवी गरुडासना । शंखचक्राभयकरा पातु शैवीं दिशं मम ॥ १५० ॥
śyāmā sarasvatī vṛddhā vaiṣṇavī garuḍāsanā | śaṃkhacakrābhayakarā pātu śaivīṃ diśaṃ mama || 150 ||
ശ്യാമവർണയായ, വൃദ്ധയായ സരസ്വതി—വൈഷ്ണവിയായി, ഗരുഡാസനസ്ഥയായി, ശംഖം-ചക്രം-അഭയമുദ്ര ധരിച്ചവൾ—എന്റെ ശൈവ ദിക്കിനെ കാക്കട്ടെ।
Narada (in a protective/dik-bandhana style invocation within the instructional flow)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It functions as a directional-protection (dik-rakṣā/dikbandhana) invocation, harmonizing Śaiva and Vaiṣṇava symbolism by asking a Devi-form bearing Viṣṇu’s emblems to guard the Śaiva quarter.
Bhakti is expressed through remembrance and surrender: the devotee calls upon the deity with specific forms, attributes, and weapons (śaṅkha-cakra-abhaya), trusting divine protection across all quarters.
It reflects ritual application—mantric nyāsa/directional guarding used in worship procedures—showing how precise epithets and iconographic markers are employed as a practical liturgical technique.