The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
माधवो मानहारी च श्रीपतिर्भूधरः प्रभुः । बृहद्वनमहालीलो नंदसूनुर्महासनः ॥ ४४ ॥
mādhavo mānahārī ca śrīpatirbhūdharaḥ prabhuḥ | bṛhadvanamahālīlo naṃdasūnurmahāsanaḥ || 44 ||
അവൻ മാധവൻ, മാനം (അഹങ്കാരം) ഹരിക്കുന്നവൻ; ശ്രീപതി, ഭൂധരൻ, പ്രഭു. ബൃഹദ്വനത്തിലെ മഹാലീല പ്രസിദ്ധനായ നന്ദസൂനു, മഹാസനത്തിൽ വിരാജിക്കുന്നവൻ.
Narada (in a didactic recitation of Vishnu epithets within the Purva Bhaga’s technical/structured teaching style)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
The verse compresses core Vishnu-Bhakti theology into names: Vishnu/Krishna is the supreme sustainer (Bhūdhara, Prabhu), the bestower of auspiciousness (Śrīpati), and the purifier of inner faults like ego (Mānahārī), making name-recitation a direct means of inner refinement.
By presenting the Lord through intimate and majestic identifiers—‘son of Nanda’ (personal closeness) and ‘Supreme Master’ (transcendent majesty)—it teaches Bhakti as remembrance (smaraṇa) and chanting (japa) that connects the devotee to both Krishna’s līlā and Vishnu’s cosmic sovereignty.
The practical takeaway is disciplined mantra-style recitation: precise pronunciation and segmentation of compound epithets (relevant to Śikṣā and Vyākaraṇa) supports effective nāma-japa and stotra chanting as taught in Purāṇic practice.