Kṛṣṇādi-mantra-varga-varṇana
Classification of Krishna and Related Mantras
नारदोऽस्य मुनिश्छन्दोऽनुष्टुप् च देवता मनोः । रुक्मिणीवल्लभश्चंद्रदृग्वेदांगाक्षिवर्णकैः । पञ्चांगानि प्रकुर्वीत ततो ध्यायेत्सुरेश्वरम् ॥ ४७ ॥
nārado'sya muniśchando'nuṣṭup ca devatā manoḥ | rukmiṇīvallabhaścaṃdradṛgvedāṃgākṣivarṇakaiḥ | pañcāṃgāni prakurvīta tato dhyāyetsureśvaram || 47 ||
ഈ (മന്ത്ര/വിധി)യുടെ ഋഷി നാരദൻ; ഛന്ദസ് അനുഷ്ടുപ്; ദേവത മനോഃ. ‘രുക്മിണീവല്ലഭ’, ‘ചന്ദ്ര’, ‘ദൃക്’, ‘വേദാംഗ’, ‘അക്ഷി’, ‘വർണ്ണ’ എന്നിവ സൂചിപ്പിക്കുന്ന അക്ഷരങ്ങളാൽ പഞ്ചാംഗ (ന്യാസ)ം നിർമിച്ച്, തുടർന്ന് സുരേശ്വരനെ ധ്യാനിക്കണം.
Narada (instructional voice within the Vedāṅga/technical section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It formalizes mantra-practice by stating ṛṣi (seer), chandas (metre), and devatā (deity), then directs the practitioner to complete the fivefold ‘aṅgas’ and culminate in meditation on the Supreme Lord.
Even in a technical Vedāṅga setting, the goal is devotional absorption: after the procedural limbs are completed, the practitioner is instructed to meditate on Sureśvara—Vişṇu/Kṛṣṇa—making ritual serve bhakti and inner contemplation.
It highlights chandas (metre-identification), varṇa/syllable-based construction, and the standard mantra-viniyoga framework (ṛṣi–chandas–devatā), along with a five-limbed arrangement (pañcāṅga) used in ritual/nyāsa-style practice.