The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
गोपानूगोपीश्च गोविंदविलीनमतिलोचनान् । ज्ञानमुद्राभयकरौ पितरौ पीतपांडुरौ ॥ ६४ ॥
gopānūgopīśca goviṃdavilīnamatilocanān | jñānamudrābhayakarau pitarau pītapāṃḍurau || 64 ||
ഗോപന്മാരെയും ഗോപികമാരെയും ധ്യാനിക്കണം—അവരുടെ മനസ്സും കണ്ണുകളും ഗോവിന്ദനിൽ പൂർണ്ണമായി ലീനമായിരിക്കും; കൂടാതെ ആ രണ്ടു പൂജ്യ മുതിർന്നവരെയും—പീതപാണ്ഡുര വർണ്ണത്തിൽ, ജ്ഞാനമുദ്രയും അഭയമുദ്രയും കാണിക്കുന്ന കൈകളോടെ।
Narada (as instructor within the Narada Purana’s didactic dialogue tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches contemplative absorption (dhyana) where the devotee visualizes the Vraja community—gopas and gopis—as completely merged in Govinda, pointing to single-pointed devotion that matures into inner steadiness and liberation-oriented devotion.
Bhakti is shown as total fixation of mind and gaze on Govinda (govinda-vilīna-mati-locana), indicating that devotion is not merely ritual action but an all-consuming remembrance and loving attention centered on Vishnu as Govinda.
It aligns with applied ritual-visualization principles used in mantra and worship practice—iconographic cues like jñāna-mudrā and abhaya (gestures) guide correct contemplative form during upāsanā, even within a technically oriented (Vedanga-linked) section.