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Narada Purana — Purva Bhaga, Shloka 117

Hanūmaccarita

The Account of Hanumān

स्वधारामृतसंयुक्तं गानेनैवमपोनयन् । वासुदेवो मर्दलं च कराभ्यामप्यवादयत् ॥ ११७ ॥

svadhārāmṛtasaṃyuktaṃ gānenaivamaponayan | vāsudevo mardalaṃ ca karābhyāmapyavādayat || 117 ||

സ്വാന്തർധാരയിലെ അമൃതം ചേർന്ന ആ ഗാനംകൊണ്ട് അവൻ എല്ലാ ക്ലേശവും നീക്കി; വാസുദേവനും ഇരുകൈകളാൽ മർദലം (മൃദംഗം) വായിച്ചു।

svadhārāmṛtasaṃyuktammixed with its own nectar-stream
svadhārāmṛtasaṃyuktam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsva + dhārā + amṛta + saṃyukta (प्रातिपदिक)
Formबहुपद-तत्पुरुष; नपुंसकलिङ्ग (n.), द्वितीया (Acc.), एकवचन; qualifies (implicit) gānam/rasam: ‘mixed with the nectar of its own stream’
gānenaby singing
gānena:
Karaṇa (करण)
TypeNoun
Rootgāna (प्रातिपदिक)
Formनपुंसकलिङ्ग (n.), तृतीया विभक्ति (Instrumental), एकवचन (sg.)
evaindeed
eva:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rooteva (अव्यय)
Formअव्यय; emphasis ‘indeed/just’
amthus (particle element)
am:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootam (अव्यय)
Formअव्यय; enclitic particle (often with eva: एवम्)
aponayanremoving
aponayan:
Karta (कर्ता)
TypeVerb
Rootapa-√nī (धातु)
Formशतृ-प्रत्ययान्त वर्तमान कृदन्त (Present active participle), पुंलिङ्ग (m.), प्रथमा (Nom.), एकवचन; ‘removing’
vāsudevaḥVāsudeva (Krishna)
vāsudevaḥ:
Karta (कर्ता)
TypeNoun
Rootvāsudeva (प्रातिपदिक)
Formपुंलिङ्ग (m.), प्रथमा (Nom.), एकवचन (sg.)
mardalamdrum (mṛdaṅga-type)
mardalam:
Karma (कर्म)
TypeNoun
Rootmardala (प्रातिपदिक)
Formनपुंसकलिङ्ग (n.), द्वितीया (Acc.), एकवचन (sg.)
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
karābhyāmwith (his) two hands
karābhyām:
Karaṇa (करण)
TypeNoun
Rootkara (प्रातिपदिक)
Formपुंलिङ्ग (m.), तृतीया विभक्ति (Instrumental), द्विवचन (dual)
apialso
api:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootapi (अव्यय)
Formअव्यय; ‘also/even’
avādayatplayed
avādayat:
Kriya (क्रिया)
TypeVerb
Rootava-√vad (धातु)
Formलङ् (Imperfect/Past), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन (sg.); causative sense ‘played (an instrument)’

Narada (as narrator within the dialogue tradition, typically addressed to the Sanatkumara brothers)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: shanta

V
Vasudeva
K
Krishna

FAQs

It presents devotional sound—song infused with “amṛta” (nectar-like spiritual relish)—as a force that dispels inner heaviness, while Vāsudeva’s drum-playing highlights sacred music as an elevating, sanctifying act.

Bhakti is shown as lived practice: kīrtana (devotional singing) and vādya (instrumental accompaniment) become direct vehicles for remembrance of Vāsudeva, transforming the atmosphere and the devotee’s inner state.

It points to disciplined use of voice and rhythm in sacred performance—skills aligned with traditional śikṣā (phonetics/recitation discipline) and the broader Vedic culture of regulated sound (nāda) used for focus and ritual efficacy.