Previous Verse
Next Verse

Narada Purana — Purva Bhaga, Shloka 34

The Exposition of Hanumān’s Protective Kavaca

Māruti-kavaca

सीताशोकविनाशाय राममुद्राधराय च । रावणांतनिदानाय नमः सर्वोत्तरात्मने ॥ ३४ ॥

sītāśokavināśāya rāmamudrādharāya ca | rāvaṇāṃtanidānāya namaḥ sarvottarātmane || 34 ||

സീതയുടെ ശോകം നശിപ്പിച്ചവനേ, രാമമുദ്രിക ധരിച്ചവനേ, രാവണാന്തത്തിന് നിർണായക കാരണമായ സർവോത്തരാത്മനേ, നമസ്കാരം।

सीता-शोक-विनाशायto the destroyer of Sītā’s sorrow
सीता-शोक-विनाशाय:
Sampradana (सम्प्रदान/Recipient)
TypeNoun
Rootसीता (प्रातिपदिक) + शोक (प्रातिपदिक) + विनाश (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी (4th/चतुर्थी), एकवचन; षष्ठी-तत्पुरुषः (सीतायाः शोकस्य विनाशः)
राम-मुद्रा-धरायto the bearer of Rāma’s signet-ring
राम-मुद्रा-धराय:
Sampradana (सम्प्रदान/Recipient)
TypeNoun
Rootराम (प्रातिपदिक) + मुद्रा (प्रातिपदिक) + धर (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी (4th/चतुर्थी), एकवचन; षष्ठी-तत्पुरुषः (रामस्य मुद्रां धरति)
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयार्थक (conjunction)
रावण-अन्त-निदानायto the cause of Rāvaṇa’s end
रावण-अन्त-निदानाय:
Sampradana (सम्प्रदान/Recipient)
TypeNoun
Rootरावण (प्रातिपदिक) + अन्त (प्रातिपदिक) + निदान (प्रातिपदिक)
Formनपुंसकलिङ्ग, चतुर्थी (4th/चतुर्थी), एकवचन; षष्ठी-तत्पुरुषः (रावणस्य अन्तस्य निदानम्)
नमःsalutation; homage
नमः:
Sambodhana/Address (सम्बोधनार्थ-प्रयोग)
TypeNoun
Rootनमस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; नमः-प्रयोगः (salutation)
सर्वोत्तर-आत्मनेto the supreme Self, higher than all
सर्वोत्तर-आत्मने:
Sampradana (सम्प्रदान/Recipient)
TypeNoun
Rootसर्व (प्रातिपदिक) + उत्तर (प्रातिपदिक) + आत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी (4th/चतुर्थी), एकवचन; कर्मधारय/तत्पुरुषः (सर्वेषाम् उत्तरः) + आत्मन्

Narada (hymnic praise within the teaching context to Sanatkumara tradition)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: karuna

S
Sita
R
Rama
R
Ravana
S
Sarvottaratman (Supreme Self)

FAQs

It frames the Rama narrative as a revelation of the sarvottarātman—the Supreme Self—who removes the devotee’s grief (Sītā’s sorrow) and brings adharma to its destined end (Rāvaṇa’s downfall).

By offering namas (salutation) and remembering the Lord through specific leelas—comforting Sītā, bearing Rāma’s signet, and ending Rāvaṇa—it models bhakti as focused remembrance (smaraṇa) and praise (stuti) of the divine qualities and acts.

The verse exemplifies mantra-style composition and meaningful compound usage (samāsa) central to Vyākaraṇa (grammar), where epithets like sītāśokavināśa and sarvottarātman condense theology into precise linguistic forms.