The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
कटौ मेढ्रे पायुपादसंधिष्वर्णान्न्यसेन्मनोः । ध्यानार्चनादिकं चास्य पूर्ववत्समुपाचरेत् ॥ ९६ ॥
kaṭau meḍhre pāyupādasaṃdhiṣvarṇānnyasenmanoḥ | dhyānārcanādikaṃ cāsya pūrvavatsamupācaret || 96 ||
കടി, മേഢ്രം, പായു, പാദസന്ധികൾ എന്നിവിടങ്ങളിൽ മന്ത്രവർണ്ണങ്ങളെ മനസ്സിൽ ന്യാസം ചെയ്യണം. തുടർന്ന് മുൻപറഞ്ഞവിധം ഭഗവാനെ ധ്യാനിച്ച് അർച്ചനാദി കർമങ്ങൾ ആചരിക്കണം.
Narada (teaching ritual procedure within the Vedanga/technical worship context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It emphasizes nyāsa—internalizing the mantra by mentally assigning its syllables to specific body points—so the practitioner’s body-mind becomes a fit seat for meditation and worship.
By directing the devotee to proceed from mantra-internalization (nyāsa) to dhyāna and arcana “as before,” it frames devotion as disciplined, continuous worship where inner recollection supports outward offerings.
A technical ritual method: mantra-syllable placement (nyāsa) and the prescribed sequence of dhyāna and arcana—procedural knowledge aligned with Vedic/āgamic worship practice.