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Narada Purana — Purva Bhaga, Shloka 144

The Description of the Worship of Rāma and Others

Rāmādi-pūjā-vidhāna

द्विभुजं स्वर्णरुचुरतनुं पद्मनिभेक्षणम् । धनुर्बाणकरं रामसेवासंसक्तमानसम् ॥ १४४ ॥

dvibhujaṃ svarṇarucuratanuṃ padmanibhekṣaṇam | dhanurbāṇakaraṃ rāmasevāsaṃsaktamānasam || 144 ||

ദ്വിഭുജൻ, സ്വർണ്ണപ്രഭയുള്ള ശരീരം, പദ്മസദൃശ നേത്രങ്ങൾ; ധനുസ്സും ബാണവും ധരിച്ച്, മനസ്സ് മുഴുവനും രാമസേവയിൽ ലീനനായവൻ।

द्वि-भुजम्two-armed
द्वि-भुजम्:
Karma (कर्म)
TypeAdjective
Rootद्वि (संख्या-प्रातिपदिक) + भुज (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2), एकवचन; द्विगु: 'two-armed' (object of ध्यान)
स्वर्ण-रुचि-उर-तनुम्golden-radiant-bodied
स्वर्ण-रुचि-उर-तनुम्:
Visheshana (विशेषण)
TypeAdjective
Rootस्वर्ण (प्रातिपदिक) + रुचि (प्रातिपदिक) + उर (प्रातिपदिक) + तनु (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2), एकवचन; बहुपद-तत्पुरुष: 'having a body/chest with golden radiance'
पद्म-निभ-ईक्षणम्lotus-eyed
पद्म-निभ-ईक्षणम्:
Visheshana (विशेषण)
TypeAdjective
Rootपद्म (प्रातिपदिक) + निभ (प्रातिपदिक) + ईक्षण (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2), एकवचन; कर्मधारय: 'lotus-like-eyed'
धनुः-बाण-करम्bow-and-arrow-handed
धनुः-बाण-करम्:
Visheshana (विशेषण)
TypeAdjective
Rootधनुस् (प्रातिपदिक) + बाण (प्रातिपदिक) + कर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2), एकवचन; तत्पुरुष: 'having bow-and-arrow in hand'
राम-सेवा-संसक्त-मानसम्mind-attached to Rāma’s service
राम-सेवा-संसक्त-मानसम्:
Visheshana (विशेषण)
TypeAdjective
Rootराम (प्रातिपदिक) + सेवा (प्रातिपदिक) + संसक्त (कृदन्त-प्रातिपदिक, सञ्ज्/ससञ्ज् + क्त) + मानस (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2), एकवचन; तत्पुरुष: 'whose mind is attached to service of Rāma'

Narada (in dialogue context with the Sanatkumara brothers)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: vira

R
Rama

FAQs

It presents an archetype of devotion: the devotee’s mind becomes fully absorbed (saṃsakta) in Rāma-sevā, while Rāma is contemplated in a concrete, auspicious form fit for dhyāna.

Bhakti is shown as one-pointed attachment of the mind to divine service—seeing the Lord’s form (lotus-eyed, radiant, bow-bearing) and letting that contemplation mature into continuous sevā.

Indirectly, it supports upāsanā/dhyāna practice: precise visualization and correct recitation depend on śikṣā (phonetics) and vyākaraṇa (clarity of meaning), which stabilize mantra-based devotion.