The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
दक्षान्पदोस्तले कट्यां मेढ्रोर्वोजानुजङ्घयोः । गुल्फे पादकराङ्गुल्योः सर्वसन्धिषु रोमसु ॥ २३ ॥
dakṣānpadostale kaṭyāṃ meḍhrorvojānujaṅghayoḥ | gulphe pādakarāṅgulyoḥ sarvasandhiṣu romasu || 23 ||
‘ദ’ മുതലായ അക്ഷരങ്ങളെ പാദതലങ്ങളിൽ ന്യസിക്കണം; തുടർന്ന് കടിയിൽ, ഗുഹ്യത്തിൽ, ഊരു, ജാനു, ജംഘ എന്നിവിടങ്ങളിൽ. ഗുൽഫങ്ങളിൽ, പാദ-കര വിരലുകളിൽ, എല്ലാ സന്ധികളിലും, രോമങ്ങളിലും (ന്യാസം ചെയ്യണം)॥ ২৩ ॥
Sanatkumara (teaching Narada the technical procedure of nyasa)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches nyāsa—ritually ‘installing’ mantra-syllables on the body—so the practitioner’s limbs become consecrated supports for mantra-japa and worship, aligning body and mind with sacred sound.
By prescribing bodily sanctification before practice, it supports disciplined devotional worship: the devotee prepares the body as an instrument of reverence, making japa and pūjā more focused and sattvic.
A technical ritual method used in mantra-śāstra (linked to śikṣā/pronunciation and prayoga/application): mapping akṣaras to specific body locations as part of formal sādhanā procedure.