The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
भानुभिः करणैर्मन्त्री वरेरंगानि कल्पयेत् । पूर्वोक्तरूपिणं ज्वालामालिनं नृहरिं स्मरेत् ॥ १०५ ॥
bhānubhiḥ karaṇairmantrī vareraṃgāni kalpayet | pūrvoktarūpiṇaṃ jvālāmālinaṃ nṛhariṃ smaret || 105 ||
മന്ത്രരൂപമായ കിരണങ്ങളും കരണം-ന്യാസ ഹസ്തമുദ്രകളും കൊണ്ട് সাধകൻ ദേവതയുടെ ശ്രേഷ്ഠ അവയവങ്ങളെ ന്യാസമായി സ്ഥാപിക്കണം. തുടർന്ന് മുൻപറഞ്ഞ സ്വരൂപനായ, ജ്വാലാമാലാഭൂഷിത നൃഹരിയെ ധ്യാനിക്കണം।
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It teaches that effective Nṛsiṁha-upāsanā unites inner remembrance (smaraṇa/dhyāna) with precise ritual construction (aṅga-nyāsa through karaṇas), culminating in meditation on the blazing, protective Narahari form.
Bhakti here is expressed as focused remembrance of Nṛhari’s previously taught form; the ritual steps support steady devotion by fixing mind and body on the deity’s limbs and radiance.
It reflects technical ritual discipline—use of karaṇa (hand-actions/mudrā) and aṅga-nyāsa (assignment of mantra to limbs)—a procedural, śāstra-based method aligned with Vedāṅga-style precision in practice.