Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
पुरुषोत्तमत्रिभुवनोन्मादकांतेऽग्निवर्म च । हृदयं कीर्तितं पश्चाज्जगत्क्षोभणशब्दतः ॥ १५७ ॥
puruṣottamatribhuvanonmādakāṃte'gnivarma ca | hṛdayaṃ kīrtitaṃ paścājjagatkṣobhaṇaśabdataḥ || 157 ||
അനന്തരം “പുരുഷോത്തമ”, “ത്രിഭുവനോന്മാദകാന്തേ” എന്നും “അഗ്നിവർമൻ” എന്നും ഉച്ചരിച്ച്, പിന്നെ ഹൃദയമന്ത്രം പ്രസ്താവിക്കുന്നു; തുടർന്ന് “ജഗത്ക്ഷോഭണ” (ജഗത്തെ കുലുക്കുന്നവൻ) എന്ന ശബ്ദം ഉച്ചരിക്കണം।
Narada (teaching in a technical/vidyā-style sequence of sacred names/mantras)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It presents a precise sequence of divine epithets culminating in the “hṛdaya” (essence/heart-mantra), emphasizing that correctly uttered sacred names function as the concentrated essence of devotion and power.
Bhakti is framed as nāma-kīrtana (recitation of the Lord’s names): addressing Vishnu as Puruṣottama and as the enchanting beloved of all realms, the devotee approaches the Lord through affectionate, praise-filled invocation.
It reflects a technical mantra-recitation method—ordering of words/epithets and the notion of a “hṛdaya” (core formula), aligning with Vedāṅga concerns like correct utterance and structured liturgical usage.