Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
वर्णन्या सोऽयमाख्यातः पदन्यासस्तथोच्यते । पञ्चत्रिबाणवह्नींदुचंद्राक्षिनिगमैः क्रमात् ॥ १२ ॥
varṇanyā so'yamākhyātaḥ padanyāsastathocyate | pañcatribāṇavahnīṃducaṃdrākṣinigamaiḥ kramāt || 12 ||
ഇതാണ് ‘വർണ-ന്യാസം’ എന്നു പ്രസിദ്ധം; ഇതേ ‘പദ-ന്യാസം’ എന്നും പറയുന്നു. അഞ്ച്, മൂന്ന്, ബാണം, അഗ്നി, ഇന്ദു, ചന്ദ്രൻ, നേത്രം, നിഗമം എന്നീ പരമ്പരാഗത സംഖ്യാസൂചനകളുടെ ക്രമത്തിൽ ഇത് ചെയ്യേണ്ടതാണ്।
Narada (teaching within a Vedanga/ritual-technical context, traditionally framed in dialogue with Sanatkumara)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes disciplined mantra-practice: sacred sound is not used casually but installed (nyāsa) in an ordered way, grounded in scriptural authority (Nigamas), so the practitioner’s body-speech-mind become aligned for worship and realization.
By teaching nyāsa as a preparatory limb of worship, it supports bhakti as a precise, reverent practice—devotion expressed through correct mantra-placement and orderly ritual action rather than mere emotion.
It highlights technical mantra-science tied to Śikṣā (phonetics) and ritual procedure: varṇa/pada placement and the use of conventional numeric code-words (e.g., bāṇa, vahni, indu, akṣi) to indicate sequence and counts.