Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
अमुकावरणांते तु देवता इति संवदेत् । सालंकारास्ततः पश्चात्सांगाः सपरिचारिकाः ॥ ७९ ॥
amukāvaraṇāṃte tu devatā iti saṃvadet | sālaṃkārāstataḥ paścātsāṃgāḥ saparicārikāḥ || 79 ||
നിർദ്ദിഷ്ട ആവരണകർമ്മത്തിന്റെ അവസാനം ‘ഇത് ദേവത’ എന്നു ഉച്ചരിക്കണം. തുടർന്ന് ദേവതയെ അലങ്കാരഭൂഷിതയായി, അങ്ങങ്ങളോടുകൂടി, പരിചാരികകളോടുകൂടി ധ്യാനിക്കുകയോ അഭിസംബോധന ചെയ്യുകയോ വേണം॥
Narada (instructional narration within a technical/ritual section; traditionally framed in dialogue with Sanatkumara lineage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes that ritual acts culminate in clear recognition and declaration of the presiding divinity, followed by devotional visualization of the deity in complete, auspicious form.
By directing the practitioner to name the deity and then contemplate the deity as beautifully adorned and attended, it turns technical procedure into reverent, personal devotion through dhyāna (sacred visualization).
It reflects mantra-prayoga and ritual sequencing—how and when to utter a defining mantra/statement and how to proceed to deity-dhyāna with prescribed attributes (a procedural, Vedanga-like discipline).