The Explanation of Sandhyā and Related Daily Observances
Saṅdhyā-ādi Nitya-karma-Vidhi
लक्ष्मीयुतं विद्युदाभं बहुभूषायुतं भजेत् । एवं ध्यात्वा न्यसेच्छक्तिं श्रीकामपुटिताक्षरम् 1. ॥ १०० ॥
lakṣmīyutaṃ vidyudābhaṃ bahubhūṣāyutaṃ bhajet | evaṃ dhyātvā nyasecchaktiṃ śrīkāmapuṭitākṣaram 1. || 100 ||
ലക്ഷ്മിയോടുകൂടിയ, മിന്നലുപോലെ ദീപ്തമായ, അനേകം ആഭരണങ്ങളാൽ അലങ്കരിക്കപ്പെട്ട ദേവനെ ഭജിച്ച് ധ്യാനിക്കണം. ഇങ്ങനെ ധ്യാനിച്ച് ശ്രീ-കാമ മന്ത്രങ്ങളാൽ പുടിതമായ അക്ഷരത്തോടെ ശക്തി-ന്യാസം ചെയ്യണം.
Narada (instructional passage within a technical/ritual section, traditionally framed in dialogue with Sanatkumara lineage)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It links inner visualization (dhyāna) with outer/ritual installation (nyāsa), teaching that divine power (Śakti) is awakened by contemplating a Lakṣmī-sahita, radiant form and then sealing the mantra-syllables with auspicious forces (Śrī and Kāma).
Bhakti here is expressed as reverent contemplation of the deity’s auspicious attributes—Lakṣmī, brilliance, ornaments—followed by disciplined mantra-practice, showing devotion as both love-filled remembrance and precise sādhana.
It highlights ritual-technical knowledge used in mantra practice—especially nyāsa (placing/installation of mantra-śakti) and puṭita-akṣara (mantric ‘encasing’ of syllables), a procedural aspect aligned with applied śāstra/ritual methodology.