Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
तत्रस्थामृतसंमग्नीकृत्यात्मानं विभावयेत् । तत्प्रभापटलव्याप्तैविमलं चिन्मयं परम् ॥ ७२ ॥
tatrasthāmṛtasaṃmagnīkṛtyātmānaṃ vibhāvayet | tatprabhāpaṭalavyāptaivimalaṃ cinmayaṃ param || 72 ||
അവിടെ സ്ഥിരമായി, ആത്മാവിനെ അമൃതാനന്ദത്തിൽ മുങ്ങിയതായി ഭാവിച്ച് ധ്യാനിക്കണം. ആ പരമപ്രഭയുടെ പടലത്തിൽ വ്യാപ്തനായി, മലിനതയറ്റ ചിന്മയ പരതത്ത്വം സാക്ഷാത്കരിക്കുന്നു।
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It instructs a direct contemplative method: visualize the Self immersed in amṛta (immortal bliss) and recognize the pure, supreme consciousness (cinmaya param) revealed by the pervading radiance of Brahman.
Though primarily jñāna-dhyāna in tone, it supports bhakti by focusing the mind on “That” (tat)—the Supreme—whose radiance pervades everything; sustained loving absorption naturally matures into one-pointed devotion and inner surrender.
It emphasizes applied dhyāna-yoga as a disciplined mental practice—using precise visualization (vibhāvayet) and steady placement of attention (tatra)—a practical method often paired with mantra and correct recitation taught alongside Vedanga-oriented instruction.