Previous Verse
Next Verse

Shloka 20

मधुकैटभवधोपाख्यानम्

The Account of the Slaying of Madhu and Kaiṭabha

नान्यद्‌ दुःखतरं किज्चिल्लोकेषु प्रतिभाति मे । अर्थविंहीन: पुरुष: परै: सम्परिभूयते,निर्धन मनुष्यको जो दूसरोंसे तिरस्कृत होना पड़ता है, इससे बढ़कर महान्‌ कष्टकी बात संसारमें मुझे और कोई नहीं जान पड़ती है

nānyad duḥkhataraṃ kiñcillokeṣu pratibhāti me | arthavihīnaḥ puruṣaḥ paraiḥ samparibhūyate ||

ബകൻ പറഞ്ഞു—ലോകങ്ങളിൽ എനിക്ക് ഇതിലേറെ ദുഃഖകരമായത് മറ്റൊന്നും തോന്നുന്നില്ല: ധനം ഇല്ലാത്ത മനുഷ്യനെ മറ്റുള്ളവർ അവഹേളിക്കുകയും അപമാനിക്കുകയും ചെയ്യുന്നു.

nanot
na:
TypeIndeclinable
Rootna
anyatanything else
anyat:
Karta
TypePronoun/Adjective
Rootanya
Formneuter, nominative, singular
duḥkhataraṃmore painful
duḥkhataraṃ:
Karta
TypeAdjective
Rootduḥkha
Formneuter, nominative, singular, comparative
kiñcitanything (at all)
kiñcit:
Karta
TypePronoun
Rootkiñcit
Formneuter, nominative, singular
lokeṣuin the worlds / in the world
lokeṣu:
Adhikarana
TypeNoun
Rootloka
Formmasculine, locative, plural
pratibhātiappears / seems
pratibhāti:
TypeVerb
Rootprati√bhā
Formpresent, indicative, 3rd, singular, parasmaipada
meto me
me:
Sampradana
TypePronoun
Rootasmad
Formdative, singular
artha-vihīnaḥdevoid of wealth
artha-vihīnaḥ:
Karta
TypeAdjective
Rootartha-vihīna
Formmasculine, nominative, singular
puruṣaḥa man
puruṣaḥ:
Karta
TypeNoun
Rootpuruṣa
Formmasculine, nominative, singular
paraiḥby others
paraiḥ:
Karana
TypeNoun/Adjective
Rootpara
Formmasculine, instrumental, plural
samparibhūyateis despised / is insulted
samparibhūyate:
TypeVerb
Rootsampari√bhū
Formpresent, indicative, 3rd, singular, ātmanepada, passive (karmani)

बक उवाच

बक (Baka)

Educational Q&A

The verse highlights a harsh social truth: lack of wealth often leads to humiliation by others. Ethically, it serves as a critique of valuing people by material status and invites reflection on compassion, respect, and the dignity owed to all persons regardless of means.

Baka is speaking and expressing his observation about worldly behavior: society tends to scorn the poor. The line functions as a reflective maxim within the episode, characterizing the speaker’s view of what constitutes the greatest worldly suffering.