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Shloka 78

Shivamurti–Pratishtha Phala: Shivalaya-Nirmana, Kshetra-Mahatmya, Tirtha-Snana, and Mandala-Vidhi

अग्रतस्तु तमोमूर्तिं मध्ये देवीं तथांबिकाम् पञ्चभूतानि तन्मात्रापञ्चकं चैव दक्षिणे

agratastu tamomūrtiṃ madhye devīṃ tathāṃbikām pañcabhūtāni tanmātrāpañcakaṃ caiva dakṣiṇe

മുന്നിൽ തമോമൂർത്തിയെ വെക്കണം; മദ്ധ്യത്തിൽ ദേവിയായ അംബികയെ സ്ഥാപിക്കണം. തെക്ക് (വലത്) ഭാഗത്ത് പഞ്ചമഹാഭൂതങ്ങളും തന്മാത്രകളുടെ പഞ്ചകവും വിന്യസിക്കണം.

agratastuin front indeed
agratastu:
tamo-mūrtimthe form constituted of tamas (the tamasic manifestation)
tamo-mūrtim:
madhyein the middle
madhye:
devīmthe Goddess
devīm:
tathālikewise/indeed
tathā:
ambikāmAmbikā (the Mother, Śakti)
ambikām:
pañca-bhūtānithe five great elements (earth, water, fire, air, ether)
pañca-bhūtāni:
tanmātrā-pañcakamthe pentad of subtle elements (sound, touch, form, taste, smell)
tanmātrā-pañcakam:
ca evaand also
ca eva:
dakṣiṇeon the right side
dakṣiṇe:

Suta Goswami (narrating to the sages of Naimisharanya, describing a ritual/yantric arrangement connected to Shiva-Shakti worship)

A
Ambika
D
Devi
S
Shiva

FAQs

It gives a precise ritual-symbolic layout: Śakti (Ambikā) is centered, while the cosmic principles (bhūtas and tanmātras) are placed in ordered directions—showing that Linga worship integrates creation-tattvas into a Śiva-centered, Śakti-empowered rite.

By situating Ambikā at the center and arranging tamas and the elemental principles around, the verse implies Śiva-tattva as Pati (the transcendent Lord) who is worshipped through an ordered manifestation of śakti and tattvas—where bondage (pāśa) arises from guṇas/tattvas and is ritually purified by right knowledge and worship.

A tattva-based upāsanā/nyāsa-style arrangement used in Śaiva ritual: positioning guṇa-forms and the bhūta–tanmātra sets around the central Devī supports tattva-śuddhi (purification of principles) as a preparatory discipline aligned with Pāśupata-oriented worship.