सहैव ननृतुश्चान्ये सह तेन गणेश्वराः त्रैलोक्यमखिलं तत्र ननर्तेशाज्ञया क्षणम्
sahaiva nanṛtuścānye saha tena gaṇeśvarāḥ trailokyamakhilaṃ tatra nanarteśājñayā kṣaṇam
അവനോടൊപ്പം മറ്റു ഗണേശ്വരന്മാരും കൂടെ നൃത്തം തുടങ്ങി; അവിടെ ക്ഷണമാത്രത്തിൽ ഈശന്റെ ആജ്ഞയാൽ സമസ്ത ത്രൈലോക്യവും നൃത്തം ചെയ്തു।
Suta Goswami (narrating to the sages of Naimisharanya)
It presents Śiva (Īśa) as the supreme Pati whose mere command moves the whole trailokya; Linga worship centers on this recognition of the Lord as the inner ruler of all manifestation.
Śiva-tattva is shown as sovereign will (ājñā) that governs cosmic activity—He is not merely a dancer, but the one whose command makes the worlds themselves participate in ordered motion.
The yogic takeaway aligns with Pāśupata bhāva: attunement and surrender to Īśvara’s command—seeing all movement as Śiva’s śakti and offering one’s actions as worship (kriyā as arpaṇa).