महादेवमनिर्देश्यं सर्वज्ञं त्वामनामयम् विश्वरूपं विरूपाक्षं सदाशिवम् अनामयम्
mahādevamanirdeśyaṃ sarvajñaṃ tvāmanāmayam viśvarūpaṃ virūpākṣaṃ sadāśivam anāmayam
നീ മഹാദേവൻ—വર્ણനാതീതൻ, സർവ്വജ്ഞൻ, നിരാമയൻ. നീ തന്നെ വിശ്വരൂപൻ, വിരൂപാക്ഷൻ, സ്വയം സദാശിവൻ—നിത്യനിർമ്മലൻ, രോഗ-ശോകസ്പർശരഹിതൻ.
Suta Goswami (narrating a hymn of praise within the Purva-Bhaga narrative)
It frames Linga-upasana as worship of the indescribable Pati (Sadashiva) who pervades the cosmos (viśvarūpa) yet remains untouched by defect—guiding the devotee to meditate on Shiva beyond mere form.
Shiva is presented as anirdeśya (beyond conceptual grasp), sarvajña (omniscient), and anāmaya (untainted by suffering), revealing the Siddhanta view of the Pati as eternally pure consciousness who governs pashu and dissolves pasha.
Dhyana and stuti: the yogic contemplation of Virupaksha and Sadashiva—using divine names to steady the mind and orient the pashu (soul) toward liberation from pasha (bondage) through devotion to the Pati.