Shloka 91

Adhyaya 70: आदिसर्गः—महत्-अहङ्कार-तन्मात्रा-भूतसृष्टिः, ब्रह्माण्डावरणम्, प्रजासर्गः, त्रिमूर्ति-शैवाधिष्ठानम्

Devanagari script

ब्रह्मत्वे सृजते लोकान् कालत्वे संक्षिपत्यपि पुरुषत्वे ह्युदासीनस् तिस्रो ऽवस्थाः प्रजापतेः

Transliteration

brahmatve sṛjate lokān kālatve saṃkṣipatyapi puruṣatve hyudāsīnas tisro 'vasthāḥ prajāpateḥ

Translation

ബ്രഹ്മത്വത്തിൽ അവൻ ലോകങ്ങളെ സൃഷ്ടിക്കുന്നു; കാലത്വത്തിൽ അവയെ സംക്ഷേപിച്ച് ലയിപ്പിക്കുന്നു. പുരുഷത്വത്തിൽ അവൻ നിർലിപ്ത പരാത്പരനായി നിലകൊള്ളുന്നു—ഇവയാണ് പ്രജാപതിയുടെ മൂന്നു അവസ്ഥകൾ॥

Word by Word

• ब्रह्मत्वे: in the state/role of Brahmā (creative function)

• सृजते: he creates

• लोकान्: the worlds

• कालत्वे: in the state/role of Time

• संक्षिपति: he withdraws, contracts (into dissolution)

• अपि: also/indeed

• पुरुषत्वे: in the state/role of Puruṣa (transcendent witness)

• हि: indeed

• उदासीनः: detached, indifferent (as witness)

• तिस्रः: three

• अवस्थाः: states/conditions

• प्रजापतेः: of Prajāpati (Lord of creatures)

Speaker

Suta Goswami (narrating the Purva-Bhaga teaching to the sages of Naimisharanya)

Characters & Entities

• Prajapati
• Brahma
• Kala
• Purusha

FAQs

What is the importance of this verse in the context of Linga worship?

It frames creation, dissolution, and transcendence as divine functions—guiding the worshipper to honor the Linga not merely as a creator-form, but as the timeless Pati beyond all cycles.

How does this verse describe the nature of Shiva (Shiva-tattva)?

By implying a reality that can project as creator (brahmatva), withdraw as time (kālatva), and yet remain the unattached witness (puruṣatva)—a Shaiva Siddhanta pointer to Pati’s supremacy over pasha (bondage) and the pashu’s changing states.

What ritualistic or Yogic practice is highlighted here?

It supports Pāśupata-style inner practice of udāsīnatā (witness-detachment): during pūjā and japa, one contemplates the Linga as the silent Puruṣa while recognizing creation and time as His regulated powers.