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Shloka 60

सूर्यरथ-रचना, ध्रुव-प्रेरणा, मास-गणाः च

Jyotish-chakra: Surya’s Motion and Monthly Retinues

चित्रसेनश् च गन्धर्व ऊर्णायुश्चैव तावुभौ उर्वशी पूर्वचित्तिश् च तथैवाप्सरसावुभे

citrasenaś ca gandharva ūrṇāyuścaiva tāvubhau urvaśī pūrvacittiś ca tathaivāpsarasāvubhe

ചിത്രസേനനും ഊർണായുവും—ഇരുവരും പ്രസിദ്ധ ഗന്ധർവർ; അതുപോലെ ഉർവശിയും പൂർവചിത്തിയും—ഇരുവരും പ്രശസ്ത അപ്സരസ്സുകൾ—എന്ന് വിവരണം പറയുന്നു.

चित्रसेनः (citrasenaḥ)Citrasena
चित्रसेनः (citrasenaḥ):
च (ca)and
च (ca):
गन्धर्वः (gandharvaḥ)a Gandharva (celestial musician)
गन्धर्वः (gandharvaḥ):
ऊर्णायुः (ūrṇāyuḥ)Ūrṇāyu
ऊर्णायुः (ūrṇāyuḥ):
चैव (caiva)and indeed
चैव (caiva):
तौ (tau)those two
तौ (tau):
उभौ (ubhau)both
उभौ (ubhau):
उर्वशी (urvaśī)Urvaśī
उर्वशी (urvaśī):
पूर्वचित्तिः (pūrvacittiḥ)Pūrvacitti
पूर्वचित्तिः (pūrvacittiḥ):
च (ca)and
च (ca):
तथा एव (tathā eva)likewise
तथा एव (tathā eva):
अप्सरसौ (apsarasau)two Apsarases (celestial nymphs)
अप्सरसौ (apsarasau):
उभे (ubhe)both (feminine)
उभे (ubhe):

Suta Goswami (narrating to the sages of Naimisharanya)

C
Citrasena
Ū
Ūrṇāyu
U
Urvaśī
P
Pūrvacitti
G
Gandharvas
A
Apsarases

FAQs

It situates Linga-centered sacred events within a full cosmic assembly, showing that Shiva’s sphere (Pati) is acknowledged by all classes of beings, including Gandharvas and Apsarases who support divine rites through song and presence.

Indirectly, it implies Shiva-tattva as the supreme attracting center of the cosmos: even beings associated with beauty, art, and pleasure gather around the sacred order that culminates in devotion to Pati beyond pasha (bondage).

No specific puja-vidhi is stated; the takeaway for Pashupata Yoga is vigilance—celestial allure (apsaras) can symbolize pasha, so the pashu (individual soul) remains steady in Shiva-oriented contemplation.