Shloka 50

भुवनकोशस्वभाववर्णनम् — सप्तद्वीप-पर्वत-लोकविन्यासः तथा यक्ष-उमा-प्रकाशः

Devanagari script

तमो ऽन्ते च तमःपारे चाष्टमूर्तिर्व्यवस्थितः अस्यात्मनो महेशस्य महादेवस्य धीमतः

Transliteration

tamo 'nte ca tamaḥpāre cāṣṭamūrtirvyavasthitaḥ asyātmano maheśasya mahādevasya dhīmataḥ

Translation

തമസ്സിന്റെ അറ്റത്തിലും, ആ തമസ്സിന് അപ്പുറത്തും അഷ്ടമൂർത്തി സ്ഥാപിതമാണ്—അത് ധീമാനായ മഹേശൻ, മഹാദേവന്റെ ആത്മസ്വരൂപം തന്നേ.

Word by Word

• tamaḥ: darkness/ignorance

• ante: at the end/limit

• ca: and

• tamaḥ-pāre: beyond darkness

• aṣṭa-mūrtiḥ: the eightfold form (Aṣṭamūrti of Śiva)

• vyavasthitaḥ: established/abiding

• asya: of this

• ātmanaḥ: of the Self/essential nature

• maheśasya: of Maheśa (the Great Lord)

• mahādevasya: of Mahādeva

• dhīmataḥ: of the wise/discerning one

Speaker

Suta Goswami (narrating the Linga Purana teaching to the sages of Naimisharanya)

Characters & Entities

• Shiva
• Mahadeva
• Mahesha

FAQs

What is the importance of this verse in the context of Linga worship?

It frames Mahādeva as transcending tamas (spiritual darkness) while still manifesting as the Aṣṭamūrti for the world—supporting Linga worship as a means for the paśu to move beyond pāśa (bondage) toward the Pati.

How does this verse describe the nature of Shiva (Shiva-tattva)?

Shiva is presented as the Self of all, established beyond the reach of darkness/ignorance, yet capable of being apprehended through his eightfold cosmic manifestation—immanent and transcendent at once.

What ritualistic or Yogic practice is highlighted here?

The takeaway is Pāśupata-oriented inner practice: overcoming tamas through śiva-smaraṇa (remembrance), mantra and contemplative absorption on the Lord as both beyond guṇas and present as the Aṣṭamūrti.