विनायकोत्पत्तिः / ताण्डव-प्रसङ्गः (दारुक-वधः, काली-उत्पत्तिः, क्षेत्रपालोत्पत्तिः)
एवं संक्षेपतः प्रोक्तं ताण्डवं शूलिनः प्रभोः योगानन्देन च विभोस् ताण्डवं चेति चापरे
evaṃ saṃkṣepataḥ proktaṃ tāṇḍavaṃ śūlinaḥ prabhoḥ yogānandena ca vibhos tāṇḍavaṃ ceti cāpare
ഇങ്ങനെ ത്രിശൂലധാരിയായ പ്രഭുവിന്റെ താണ്ഡവം സംക്ഷേപമായി പ്രസ്താവിച്ചു. ചിലർ സർവ്വവ്യാപിയായ വിഭുവിന്റെ ഇതേ നൃത്തത്തെ ‘യോഗാനന്ദ-താണ്ഡവം’ എന്നും വിളിക്കുന്നു.
Suta Goswami
It frames Shiva’s Tāṇḍava as a named, contemplatable manifestation of the Lord (Pati), helping the devotee connect outer worship of the Linga with inner meditation on Shiva’s dynamic, world-sustaining power.
Shiva is presented as Śūlin (sovereign Lord) and Vibhu (all-pervading), whose dance is not merely movement but the expression of yogic ānanda—transcendent bliss that underlies creation, maintenance, and dissolution.
It highlights yogic contemplation of Shiva’s blissful Tāṇḍava—an inward Pāśupata-oriented approach where the pashu (soul) loosens pāśa (bondage) by meditating on the Lord’s all-pervading, bliss-nature.