Kapardeśvara at Piśācamocana — Liberation of a Piśāca and the Brahmapāra Hymn
पठेच्च सततं शुद्धो ब्रह्मपारं महास्तवम् / प्रातर्मध्याह्नसमये स योगं प्राप्नुयात् परम्
paṭhecca satataṃ śuddho brahmapāraṃ mahāstavam / prātarmadhyāhnasamaye sa yogaṃ prāpnuyāt param
ശുദ്ധനായ ഒരാൾ ‘ബ്രഹ്മപാര’ എന്ന മഹാസ്തവം നിരന്തരം, പ്രത്യേകിച്ച് പ്രഭാതത്തിലും മധ്യാഹ്നത്തിലും, പാരായണം ചെയ്താൽ അവൻ പരമയോഗം പ്രാപിക്കുന്നു.
Narratorial/Scriptural voice within the stava-phala (benefits of hymn-recitation) section, traditionally framed in the Kurma Purana’s dialogue setting
Primary Rasa: shanta
Secondary Rasa: vira
By stating that steady, purified recitation leads to “supreme Yoga,” the verse implies that liberation is experiential union—realization of the highest Self through disciplined purity (śuddhi) and sustained contemplation (stotra/japa as a yogic support).
It highlights mantra-like stotra-recitation performed regularly (satatam) with inner and outer purity, timed with daily sacred junctions (morning and midday), aligning devotion (bhakti), discipline (niyama), and concentration (dhāraṇā) as a practical doorway to higher Yoga.
Though not naming deities explicitly, the teaching reflects the Kurma Purana’s synthetic approach: a stava used as yogic sādhanā transcends sectarian boundaries, presenting devotion and Yoga as a single path to the supreme—consistent with Shaiva–Vaishnava harmony found throughout the text.