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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 6

Śānti-Śodhana-Kathana (Instruction on the Purification of Śānti) — Agni Purāṇa, Adhyāya 87

इन्द्रिये त्वक्करावस्या स्पर्शस्तु विषयो मतः गुणौ स्पर्शनिनादौ द्वावेकः कारणमीश्वरः

indriye tvakkarāvasyā sparśastu viṣayo mataḥ guṇau sparśaninādau dvāvekaḥ kāraṇamīśvaraḥ

ത്വക്‌ ഇന്ദ്രിയത്തിന്റെ വിഷയം സ്പർശം എന്നാണ് കരുതുന്നത്. അതിന്റെ ഗുണങ്ങൾ രണ്ട്—സ്പർശവും നിനാദവും (ശബ്ദം); ഏക പരമകാരണം ഈശ്വരൻ തന്നെയാണ്.

इन्द्रियेin the sense-organ
इन्द्रिये:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Rootइन्द्रिय (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (Locative/7th), एकवचन
त्वक्skin
त्वक्:
Karta (कर्ता/Subject)
TypeNoun
Rootत्वच् (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन (हलन्त-रूप)
करhand
कर:
Karta (कर्ता/Subject)
TypeNoun
Rootकर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
अवस्याstate/condition (as read)
अवस्या:
Karta (कर्ता/Subject)
TypeNoun
Rootअवस्था/अवस्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; (पाठभेद/दुर्लभ-रूप)
स्पर्शःtouch
स्पर्शः:
Karta (कर्ता/Subject)
TypeNoun
Rootस्पर्श (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
तुindeed / but
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात (particle; contrast/emphasis)
विषयःobject (of sense)
विषयः:
Karta (कर्ता/Subject)
TypeNoun
Rootविषय (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
मतःis considered
मतः:
Kriya (क्रिया/Predicate)
TypeVerb
Rootमन् (धातु) + क्त (कृदन्त)
Formभूतकृदन्त (past passive participle, क्त); पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; ‘इति मतः’ = is considered
गुणौtwo qualities
गुणौ:
Karta (कर्ता/Subject)
TypeNoun
Rootगुण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा/द्वितीया-विभक्ति, द्विवचन
स्पर्शनिनादौtouch and sound (two)
स्पर्शनिनादौ:
Viśeṣaṇa (विशेषण/Enumerative)
TypeNoun
Rootस्पर्शन + निनाद (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा/द्वितीया-विभक्ति, द्विवचन; द्वन्द्वः (touch and sound)
द्वौtwo
द्वौ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootद्वि (संख्या/प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा/द्वितीया-विभक्ति, द्विवचन; संख्यावाचक-विशेषण
एकःone
एकः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootएक (संख्या/प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; संख्यावाचक-विशेषण
कारणम्cause
कारणम्:
Karta (कर्ता/Subject)
TypeNoun
Rootकारण (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन
ईश्वरःLord
ईश्वरः:
Karta (कर्ता/Subject)
TypeNoun
Rootईश्वर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन

Lord Agni (narrating to Sage Vasiṣṭha in the Agni Purana’s instructional dialogue frame)

Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Vyakarana","practical_application":"Sense-analysis for meditation and discrimination: identify indriya, its viṣaya, associated guṇas, and trace causality to Īśvara to reduce sensory entanglement.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Tvak-indriya: Viṣaya (Sparśa), Guṇa (Sparśa/Nināda), Kāraṇa (Īśvara)","lookup_keywords":["tvak indriya","sparśa viṣaya","guṇa","nināda","Īśvara kāraṇa"],"quick_summary":"Defines the skin sense-faculty and its object (touch), notes associated qualities, and asserts a single ultimate cause—Īśvara—supporting a theistic Sāṅkhya–Yoga framing."}

Dosha: Vata

Concept: Indriya–viṣaya mapping and guṇa enumeration, culminating in a unifying causal principle (Īśvara).

Application: In pratyāhāra practice, label experiences as ‘touch-object’ and ‘sound-quality’, then return attention to the witnessing cause (Īśvara) to weaken identification.

Khanda Section: Sankhya–Yoga / Tattva-nirupana (Indriya–Vishaya–Guna analysis)

Primary Rasa: Shanta

Visual Art Cues: {"scene_description":"A schematic teaching scene: a teacher points to a diagram linking ‘tvak’ to ‘sparśa’, with two qualities indicated, and a single causal apex labeled Īśvara.","kerala_mural_prompt":"Kerala mural: guru-disciple scene inside a temple corridor, palm-leaf diagram showing tvak→sparśa, two guṇa markers, apex Īśvara, warm lamp-lit tones and stylized faces","tanjore_prompt":"Tanjore: ornate framed teaching tableau with gold accents, central diagram medallion labeled Tvak/Sparśa/Guṇa/Īśvara, rich colors, devotional scholastic mood","mysore_prompt":"Mysore style: clear didactic chart with elegant figures, labeled arrows tvak to sparśa, two guṇa bubbles (sparśa, nināda), top node Īśvara, precise linework","mughal_miniature_prompt":"Mughal miniature: philosopher and students with a folio diagram, fine calligraphy labels, restrained palette, emphasis on intellectual discourse"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Kalyan","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: स्पर्शस्तु = स्पर्शः + तु; कारणमीश्वरः = कारणम् + ईश्वरः (म् + ई → मी)। ‘त्वक्करावस्या’ पाठः सन्धि/पाठभेद-सम्भाव्यः; पदच्छेदः: त्वक् + कर + अवस्या (अनिश्चित)।

Related Themes: Agni Purana 87 (Tattva-nirūpaṇa: indriya–viṣaya–guṇa sequence)

Ī
Īśvara

FAQs

It imparts tattva-vidyā (metaphysical analysis): identifying the skin as the touch-sense, defining its sense-object (touch), listing its associated qualities, and pointing to Īśvara as the ultimate causal principle.

By systematizing knowledge in a quasi-Sāṅkhya framework—mapping sense-faculties to objects and qualities—it shows the Purana’s coverage beyond mythology into philosophical taxonomy and technical doctrinal instruction.

It supports inner purification through discernment (viveka): understanding sensory operation and tracing causality to Īśvara helps reduce sense-identification and strengthens contemplative orientation toward the supreme cause.