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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 7

Chapter 59 — अधिवासनकथनं

Adhivāsana: The Rite of Inviting and Stabilizing Hari’s Presence

सङ्कर्षणं सं शब्दात्मा स्पर्शाख्यमसृजत् प्रभुः क्षोभ्य मायां स प्रद्युम्नं तेजोरूपं स चासृजत्

saṅkarṣaṇaṃ saṃ śabdātmā sparśākhyamasṛjat prabhuḥ kṣobhya māyāṃ sa pradyumnaṃ tejorūpaṃ sa cāsṛjat

പ്രഭു ശബ്ദാത്മാവായ സംകർഷണരൂപത്തിൽ ‘സ്പർശ’ എന്ന തത്ത്വം സൃഷ്ടിച്ചു. തുടർന്ന് മായയെ ക്ഷോഭിപ്പിച്ച് തേജോരൂപനായ പ്രദ്യുമ്നനെയും ഉത്പാദിപ്പിച്ചു.

saṅkarṣaṇamSaṅkarṣaṇa
saṅkarṣaṇam:
Karma (कर्म)
TypeNoun
Rootsaṅkarṣaṇa (प्रातिपदिक)
FormPuṃliṅga, Dvitīyā, Ekavacana
samtogether/fully
sam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootsam (अव्यय)
FormUpasarga/particle (उपसर्ग/निपात); here intensifier/‘together’
śabda-ātmāwhose essence is sound
śabda-ātmā:
Karta (कर्ता)
TypeNoun
Rootśabda (प्रातिपदिक) + ātman (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; Tatpuruṣa: śabdaḥ ātmā yasya / śabdasya ātmā (शब्दात्मा)
sparśa-ākhyamcalled ‘touch’
sparśa-ākhyam:
Karma (कर्म)
TypeAdjective
Rootsparśa (प्रातिपदिक) + ākhya (प्रातिपदिक)
FormNapumsaka, Dvitīyā, Ekavacana; Tatpuruṣa: sparśa-ākhyam = ‘named touch’
asṛjatcreated
asṛjat:
Kriyā (क्रिया)
TypeVerb
Rootsṛj (धातु)
FormLaṅ (लङ्, imperfect), Prathama-puruṣa (3rd), Ekavacana, Parasmaipada
prabhuḥthe Lord
prabhuḥ:
Karta (कर्ता)
TypeNoun
Rootprabhu (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana
kṣobhyahaving agitated
kṣobhya:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootkṣubh (धातु) + lyap (ल्यप्)
FormGerund (ल्यप्/त्वान्त-समकक्ष), avyaya; ‘having agitated’ (क्षोभयित्वा)
māyāmMāyā
māyām:
Karma (कर्म)
TypeNoun
Rootmāyā (प्रातिपदिक)
FormStrīliṅga, Dvitīyā, Ekavacana
saḥhe
saḥ:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana
pradyumnamPradyumna
pradyumnam:
Karma (कर्म)
TypeNoun
Rootpradyumna (प्रातिपदिक)
FormPuṃliṅga, Dvitīyā, Ekavacana
tejaḥ-rūpamhaving the form of radiance
tejaḥ-rūpam:
Karma (कर्म)
TypeAdjective
Roottejas (प्रातिपदिक) + rūpa (प्रातिपदिक)
FormNapumsaka, Dvitīyā, Ekavacana; Tatpuruṣa: tejas-rūpam = ‘of the form of light/energy’
saḥhe
saḥ:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चय)
asṛjatcreated
asṛjat:
Kriyā (क्रिया)
TypeVerb
Rootsṛj (धातु)
FormLaṅ (लङ्), Prathama-puruṣa, Ekavacana, Parasmaipada

Lord Agni (narrating the Agni Purana’s teachings, traditionally to Vasiṣṭha)

Vidya Category: {"primary_vidya":"Cosmology","secondary_vidya":"Tantra","practical_application":"Maps vyūhas to tanmātra emergence (sound→touch; radiance/tejas principle), useful for doctrinal study, ritual visualization, and meditative correlation of senses with cosmic principles.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Vyūha-Tanmātra Correlation: Saṅkarṣaṇa (Śabda) → Sparśa; Pradyumna (Tejas)","lookup_keywords":["Saṅkarṣaṇa","Pradyumna","śabda","sparśa","vyūha"],"quick_summary":"The verse correlates Saṅkarṣaṇa with the sound-principle and the arising of touch, and Pradyumna with radiance/tejas after Māyā is stirred. It provides a compact mapping between Vaiṣṇava vyūhas and sensory-cosmic categories."}

Concept: Emanation schema: sensory subtle elements arise in sequence, coordinated with divine vyūha manifestations; Māyā’s ‘stirring’ is the trigger for differentiation.

Application: In japa/nyāsa-style contemplation, correlate inner sound (nāda) with Saṅkarṣaṇa and inner light (tejas) with Pradyumna to stabilize attention.

Khanda Section: Vaishnava-Tattva (Pancharatra / Vyuha Cosmology)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"Two divine emanations: Saṅkarṣaṇa as a field of sound-waves giving rise to the touch-principle; then Pradyumna emerging as a brilliant tejas-form as Māyā is churned.","kerala_mural_prompt":"Kerala mural: Saṅkarṣaṇa on left with stylized sound ripples (conch-like wave motifs) birthing a subtle ‘sparśa’ aura; on right Pradyumna as radiant figure with flame-halo; traditional flat composition and bold outlines.","tanjore_prompt":"Tanjore: paired panels with gold work—Saṅkarṣaṇa with conch and sound mandala; Pradyumna with intense golden flame aura; Māyā shown as a dark veil being stirred between them.","mysore_prompt":"Mysore: instructional cosmology illustration; labeled arrows from śabda to sparśa; Pradyumna depicted as tejas orb/figure; clean, didactic layout with delicate ornament.","mughal_miniature_prompt":"Mughal miniature: dynamic scene of cosmic stirring—subtle waves in the air around Saṅkarṣaṇa; luminous Pradyumna emerging from swirling clouds; fine detailing and restrained palette."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Hamsadhwani","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: sparśākhyam asṛjat = sparśa-ākhyam + asṛjat; tejorūpaṃ = tejaḥ + rūpam; cāsṛjat = ca + asṛjat.

Related Themes: Agni Purana 59 (vyūha-tattva sequence continuing into tanmātras)

S
Saṅkarṣaṇa
P
Pradyumna
M
Māyā
Ś
Śabda (Sound)
S
Sparśa (Touch)
T
Tejas

FAQs

It imparts metaphysical (tattva) knowledge: the Vyuha-based sequence of manifestation where Saṅkarṣaṇa is linked with the sound-principle and the emergence of the touch-principle (sparśa), followed by Māyā’s agitation leading to Pradyumna as the radiance (tejas) principle.

Alongside ritual and dharma topics, the Agni Purana also preserves systematic cosmology—here integrating tantric/Pañcarātra-style Vyuha theory and subtle-element (tanmātra-like) evolution—showing its breadth from theology to technical metaphysics.

Contemplating the Lord as the source of sensory principles and Māyā’s activation supports jñāna (right understanding) and detachment, framing sensory experience (sound/touch) as divine manifestation rather than mere worldly entanglement.