Agni Purana — Dharma-shastra, Shloka 13
Ayuta–Lakṣa–Koṭi Fire-offerings (अयुतलक्षकोटिहोमाः) — Graha-yajña Vidhi
बुद्धिर् लज्जा वपुः शान्तिस्तुष्टिः कान्तिश् च मातरः एतास्त्वामभिषिञ्चन्तु धर्मपत्न्याः समागताः
buddhir lajjā vapuḥ śāntistuṣṭiḥ kāntiś ca mātaraḥ etāstvāmabhiṣiñcantu dharmapatnyāḥ samāgatāḥ
ബുദ്ധി, ലജ്ജ, വപു (ദേഹക്ഷേമം), ശാന്തി, തൃപ്തി, കാന്തി—ഈ മാതൃശക്തികൾ ധർമ്മപത്നികളായി ഇവിടെ സമാഗമിച്ച് നിന്നെ അഭിഷേകം ചെയ്യട്ടെ।
Lord Agni (narrating ritual procedure in the Agni Purana tradition)
Vidya Category: {"primary_vidya":"Mantra","secondary_vidya":"Puja-vidhi","practical_application":"Abhiṣeka-benediction during consecration: invoke personified śaktis/guṇas to ‘anoint’ the deity or the sādhaka with auspicious qualities.","sutra_style":false}
Encyclopedic Reference: {"reference_type":"Mantra","entry_title":"Dharma-patnī-Śakti Abhiṣeka (Buddhi–Lajjā–Śānti)","lookup_keywords":["abhiṣeka","buddhi","lajjā","śānti","dharma-patnī"],"quick_summary":"A consecratory formula calling mother-powers—intelligence, modesty, bodily well-being, peace, contentment, and splendor—conceived as Dharma’s righteous consorts, to confer sanctifying abhiṣeka."}
Alamkara Type: Rūpaka (abstraction personified as mothers)
Concept: True consecration is not only ritual water but the installation of virtues—buddhi, lajjā, śānti, tuṣṭi, kānti—within the practitioner.
Application: Use as a daily self-abhiṣeka prayer before study, vows, or worship to reinforce ethical restraint (lajjā) and clarity (buddhi).
Khanda Section: Puja-vidhi (Abhisheka and Devotional Consecration)
Primary Rasa: śānta
Secondary Rasa: śṛṅgāra
Visual Art Cues: {"scene_description":"A deity or sacred emblem being bathed (abhiṣeka) while six gentle mother-goddesses representing Buddhi, Lajjā, Vapuḥ, Śānti, Tuṣṭi, Kānti pour water from golden kalaśas.","kerala_mural_prompt":"Kerala mural, abhiṣeka-maṇḍapa with lamp stands, six śakti-goddesses in traditional attire holding kalaśas, flowing water streams, calm faces, deep red/ochre palette, bold contours.","tanjore_prompt":"Tanjore painting, central deity under arch, six attendant goddesses with gold-embossed halos and kalaśas, heavy jewelry, rich gold work highlighting kānti (splendor).","mysore_prompt":"Mysore painting, refined linework, clear labeling of each śakti near her figure, soft pastel background, emphasis on ritual implements (kalaśa, conch, lamps).","mughal_miniature_prompt":"Mughal miniature, palace-like shrine interior, attendants as allegorical ladies pouring water, delicate textiles, fine floral borders, subdued elegance."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Kalyani","pace":"slow","voice_tone":"devotional"}
Sandhi Resolution Notes: बुद्धिर् → बुद्धिः; शान्तिस्तुष्टिः → शान्तिः तुष्टिः; कान्तिश् च → कान्तिः च; एतास्त्वामभिषिञ्चन्तु → एताः त्वाम् अभिषिञ्चन्तु.
Related Themes: Agni Purana abhiṣeka procedures and kalaśa-sthāpana sections (same puja-vidhi stream); Agni Purana discussions of dharma and guṇas in didactic passages
FAQs
It gives an abhiṣeka-invocation: during consecration, the worshipper calls upon personified auspicious qualities (buddhi, lajjā, śānti, tuṣṭi, kānti, etc.) as “mothers” to anoint the deity or consecrated recipient, reinforcing that the rite installs virtues along with sanctity.
Beyond mythology, it preserves practical pūjā-vidhi: a ready-to-use consecration formula integrating theology (virtues as divine śaktis) with ritual action (abhiṣeka), illustrating the Agni Purana’s manual-like coverage of worship procedures.
Invoking these virtues in abhiṣeka frames consecration as moral-spiritual installation: the act is meant to purify, pacify, and bestow radiance and steadiness, aligning the practitioner and the sacred image/recipient with dharma and auspiciousness.