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Agni Purana — Agneya-vidya, Shloka 10

Chapter 23 — पूजाविधिकथनम्

The Account of the Rules of Worship

चैतन्यं सर्वगं ज्योतिरष्टजप्तेन वारिणा फडन्तेन तु संसिच्य हस्ते ध्यात्वा हरिं परे

caitanyaṃ sarvagaṃ jyotiraṣṭajaptena vāriṇā phaḍantena tu saṃsicya haste dhyātvā hariṃ pare

എട്ട് പ്രാവശ്യം ജപിച്ച ജലത്താലും ‘ഫട്’ യുക്ത ജലത്താലും സിഞ്ചനം ചെയ്ത്, കൈയിൽ സർവ്വഗമായ ചൈതന്യജ്യോതിരൂപ പരമഹരിയെ ധ്യാനിക്കണം.

caitanyamconsciousness
caitanyam:
Karma (कर्म)
TypeNoun
Rootcaitanya (प्रातिपदिक)
FormNeuter, Accusative, Singular
sarva-gamall-pervading
sarva-gam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsarva (प्रातिपदिक) + ga (प्रातिपदिक)
FormNeuter, Accusative, Singular; tatpuruṣa ‘going everywhere’ (=all-pervading) qualifying caitanyam/jyotis
jyotiḥlight/splendor
jyotiḥ:
Karma (कर्म)
TypeNoun
Rootjyotis (प्रातिपदिक)
FormNeuter, Accusative, Singular (form jyotiḥ)
aṣṭa-japtenawith (water) recited eight times
aṣṭa-japtena:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootaṣṭa (संख्या-प्रातिपदिक) + japta (कृदन्त-प्रातिपदिक, from jap धातु)
FormNeuter/Masculine, Instrumental, Singular; tatpuruṣa ‘recited eight (times)’ qualifying vāriṇā
vāriṇāwith water
vāriṇā:
Karaṇa (करण)
TypeNoun
Rootvāri (प्रातिपदिक)
FormNeuter, Instrumental, Singular
phaḍ-antenaending with ‘phaḍ’
phaḍ-antena:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootphaḍ (मन्त्र-शब्द/अव्यय) + anta (प्रातिपदिक)
FormNeuter/Masculine, Instrumental, Singular; ‘ending with phaḍ’ (mantric termination) qualifying vāriṇā
tuthen/indeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
FormParticle
saṃsicyahaving sprinkled
saṃsicya:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootsam-√sic (धातु)
FormAbsolutive/Gerund (ल्यप्) ‘having sprinkled’
hastein/on the hand
haste:
Adhikaraṇa (अधिकरण)
TypeNoun
Roothasta (प्रातिपदिक)
FormMasculine, Locative, Singular
dhyātvāhaving meditated
dhyātvā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootdhyai (धातु)
FormAbsolutive/Gerund (क्त्वान्त) ‘having meditated’
harimHari (Viṣṇu)
harim:
Karma (कर्म)
TypeNoun
Roothari (प्रातिपदिक)
FormMasculine, Accusative, Singular
parein the supreme (state/place)
pare:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootpara (प्रातिपदिक)
FormMasculine/Neuter, Locative, Singular; used adverbially ‘in/at the supreme (state/place)’

Lord Agni (instructing sage Vashistha in ritual procedure)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Mantra-empowered sprinkling (aṣṭa-japa water) and phaṭ-sealing for purification; then hand-dhyāna of Hari as sarvagata-caitanya-jyotis during worship.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Aṣṭa-japta Prokṣaṇa, Phaṭ-Śodhana, and Hasta-dhyāna of Hari as Sarvagata Jyotis","lookup_keywords":["aṣṭa-japta","phaṭ","prokṣaṇa","hasta-dhyāna","caitanya-jyotis"],"quick_summary":"Sprinkle with water charged by eight recitations, then seal/purify with phaṭ-empowered water; meditate on Hari in the hand as the all-pervading conscious Light to sacralize action and offering."}

Concept: The divine is apprehended as caitanya-jyotis pervading all, localized for practice in the ‘hand’ that performs karma—linking metaphysics to ritual action.

Application: While performing offerings, hold a steady visualization that the acting hand is pervaded by Hari’s conscious light; use phaṭ as a mental ‘cut’ to drop distraction and impurity.

Khanda Section: Puja-vidhi (Mantra-nyasa, Prokshana, and Tantric ritual procedure)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A priest sprinkles consecrated water from a spoon, then performs a sealing gesture with phaṭ; the palm is shown glowing with a subtle luminous form of Hari, suggesting conscious light pervading the hand.","kerala_mural_prompt":"Kerala mural, dramatic lamp-lit shrine, priest sprinkling water, palm depicted with radiant golden-white aura symbolizing caitanya-jyotis, restrained sacred symbolism, traditional border motifs.","tanjore_prompt":"Tanjore, gold-leaf aura emanating from the palm, Viṣṇu presence suggested within the hand, ornate vessels and lamp with gold highlights, rich saturated colors.","mysore_prompt":"Mysore style, clear two-step sequence: aṣṭa-japta sprinkling then phaṭ sealing, with a soft luminous glow in the hand indicating Hari-dhyāna; fine lines and calm composition.","mughal_miniature_prompt":"Mughal miniature, delicate rendering of water droplets, subtle halo in the palm, detailed altar objects, refined interior architecture, understated mystical light effect."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: jyotiḥ+aṣṭajaptena→jyotiraṣṭajaptena

Related Themes: Agni Purana 23 (prokṣaṇa, phaṭ usage, dhyāna within pūjā-vidhi)

H
Hari (Vishnu)
P
Phaṭ (mantric exclamation)

FAQs

It teaches mantra-empowerment of water (aṣṭa-japa) followed by protective “phaṭ” usage for prokṣaṇa (sprinkling), and then a nyāsa-style visualization of Hari as conscious, all-pervading light in the hand.

Alongside theology, the Agni Purana preserves precise, step-by-step liturgical technology—mantra counts, ritual actions like sprinkling, and visualization methods—showing it functions as a practical manual of worship (puja-vidhi) as well as a narrative Purana.

The rite purifies and sacralizes the practitioner’s action (hand and offerings) through mantra-śakti, while meditation on Hari as supreme consciousness reorients the ritual toward inner realization and protective sanctification.