HomeVaraha PuranaAdhyaya 2Shloka 49
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Varaha Purana 2.49 — Adhyaya 2, Shloka 49

Cosmogony and the Ninefold Creation: Rudra’s Origin and the Prelude to the Sāvitrī–Veda Narrative

तथोक्तोऽसौ द्विधा स्त्रीत्वं पुरुषत्वं चकार सः । बिभेद पुरुषत्वं च दशधा चैकधा च सः । ततस्त्वेकादश ख्याता रुद्रा ब्रह्मसमुद्भवाः ॥ २.४८ ॥

tathokto 'sau dvidhā strītvaṃ puruṣatvaṃ cakāra saḥ | bibheda puruṣatvaṃ ca daśadhā caikadhā ca saḥ | tatastv ekādaśa khyātā rudrā brahmasamudbhavāḥ || 2.48 ||

ເມື່ອຖືກກ່າວດັ່ງນັ້ນ ທ່ານຈຶ່ງເຮັດຕົນເອງໃຫ້ເປັນສອງສ່ວນ: ຄວາມເປັນແມ່ຍິງ ແລະຄວາມເປັນຜູ້ຊາຍ. ແລ້ວທ່ານແບ່ງສ່ວນຜູ້ຊາຍເປັນສິບສ່ວນ ແລະອີກໜຶ່ງສ່ວນ. ຈາກນັ້ນ ຮູດຣະສິບເອັດອົງຈຶ່ງເປັນທີ່ຮູ້ຈັກ ເກີດຈາກພຣະພຣະຫມາ।

तथाthus
तथा:
क्रियाविशेषण (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootतथा (अव्यय)
Formप्रकारवाचक-अव्ययम् (adverb: in that manner)
उक्तःhaving been told
उक्तः:
कर्ता-विशेषण (Predicative participle)
TypeVerb
Rootवच् (धातु) + क्त (कृदन्त)
Formभूतकर्मणि कृदन्तः (PPP/क्त), पुंलिङ्ग, प्रथमा, एकवचन
असौhe (that one)
असौ:
कर्ता (Karta/Subject)
TypeNoun
Rootअसद्/अदस् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; सर्वनाम
द्विधाinto two parts
द्विधा:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootद्विधा (अव्यय)
Formसंख्याप्रकारवाचक-अव्ययम् (adverb: in two ways)
स्त्रीत्वम्womanhood
स्त्रीत्वम्:
कर्म (Karma/Object)
TypeNoun
Rootस्त्रीत्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
पुरुषत्वम्manhood
पुरुषत्वम्:
कर्म (Karma/Object)
TypeNoun
Rootपुरुषत्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
चकारmade
चकार:
क्रिया (Action/क्रिया)
TypeVerb
Rootकृ (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; परस्मैपदम्
सःhe
सः:
कर्ता (Karta/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; सर्वनाम
बिभेदsplit/divided
बिभेद:
क्रिया (Action/क्रिया)
TypeVerb
Rootभिद् (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; परस्मैपदम्
पुरुषत्वम्manhood
पुरुषत्वम्:
कर्म (Karma/Object)
TypeNoun
Rootपुरुषत्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
and
:
समुच्चय (Coordinator/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्ययम् (conjunction)
दशधाinto ten parts
दशधा:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootदशधा (अव्यय)
Formसंख्याप्रकारवाचक-अव्ययम् (adverb: tenfold)
and
:
समुच्चय (Coordinator)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्ययम् (conjunction)
एकधाinto one part
एकधा:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootएकधा (अव्यय)
Formसंख्याप्रकारवाचक-अव्ययम् (adverb: singly/onefold)
and
:
समुच्चय (Coordinator)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्ययम् (conjunction)
सःhe
सः:
कर्ता (Karta/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; सर्वनाम
ततःthen
ततः:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootततः (अव्यय)
Formअपादान/क्रमवाचक-अव्ययम् (adverb: then/from that)
तुindeed
तु:
निपात (Particle/निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formविरोध/अवधारणार्थक-अव्ययम् (particle: but/indeed)
एकादशeleven
एकादश:
कर्ता-विशेषण (Subject qualifier)
TypeAdjective
Rootएकादश (संख्या-प्रातिपदिक)
Formसंख्यावाचक-विशेषणम्; पुंलिङ्ग, प्रथमा, बहुवचन (रुद्राः इति विशेष्ये)
ख्याताःwere known/called
ख्याताः:
विधेय (Predicate/विधेय)
TypeVerb
Rootख्या (धातु) + क्त (कृदन्त)
Formभूतकर्मणि कृदन्तः (PPP/क्त), पुंलिङ्ग, प्रथमा, बहुवचन
रुद्राःRudras
रुद्राः:
कर्ता (Karta/Subject)
TypeNoun
Rootरुद्र (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
ब्रह्मसमुद्भवाःborn from Brahmā
ब्रह्मसमुद्भवाः:
कर्ता-विशेषण (Subject qualifier)
TypeAdjective
Rootब्रह्म-समुद्भव (प्रातिपदिक; समास)
Formपुंलिङ्ग, प्रथमा, बहुवचन; विशेषणम्; समासः—तत्पुरुषः (ब्रह्मणः समुद्भवाः = from Brahmā arisen)

Varāha (default dialogue framework; speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor","bhu_devi_state":"curious"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The verse frames cosmogony as differentiation of a single principle into complementary polarities (stritva/purushatva) and further functional partitioning (tenfold/onefold), yielding the Rudra plurality—an Upanishadic-style move from unity to many within Brahmā’s emanation scheme.","yajna_varaha_imagery":"Creation as a ritual-like ‘division’ (vibhāga) of principles: the tenfold masculine partition evokes the ten prāṇas/ten directions motif; the ‘one’ suggests the unifying Rudra principle from which the eleven are counted.","vedantic_connection":"Bheda within abheda: multiplicity (eleven Rudras) arises from a single source without negating underlying unity; aligns with Purāṇic Sāṅkhya-tinged emanation and Vedāntic one-many articulation."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"cosmology/metaphysics","core_concept":"From a single source, polarity and plurality emerge through ordered differentiation.","practical_application":"Contemplate unity behind diversity; read deity-multiplicity as functional manifestations rather than competing absolutes."}

Subject Matter: ["Cosmology","Genealogy of deities","Puranic cosmogony"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: cosmic/primordial setting

Related Themes: Varāha Purāṇa 2.2.49 (transition to yuga-mahātmya); Varāha Purāṇa 2.2.51ff (Svāyambhuva Manu genealogy)

Visual Art Cues: {"scene_description":"A schematic cosmogonic tableau: Brahmā as source, from whom a bifurcation into feminine and masculine principles appears, then a further tenfold and onefold division culminating in eleven Rudra forms radiating outward.","item_prompts":["Brahmā seated on lotus","split into feminine/masculine emanations","ten rays/figures plus one central figure","eleven Rudra icons with tridents/serpents/ash marks (stylized)","cosmic backdrop with mandala geometry"],"kerala_mural_prompt":"Kerala mural style, Brahmā on lotus, flat iconic emanation diagram, eleven Rudras in symmetric arc, rich reds/ochres/greens, bold outlines, minimal depth.","tanjore_prompt":"Tanjore style, central Brahmā with ornate arch, gold-leaf halos for eleven Rudras, jewel-like embellishments, symmetrical composition emphasizing divine genealogy.","mysore_prompt":"Mysore painting style, delicate linework, soft shading, Brahmā luminous, emanations as translucent forms, refined ornaments, calm cosmic ambience.","pahari_prompt":"Pahari miniature style, stylized cosmic landscape with lotus-seat Brahmā, emanations as clustered figures, cool palette, lyrical spacing and fine facial detail."}

Audio Atmosphere: {"recitation_mood":"awe-filled, explanatory","suggested_raga":"Vachaspati","pace":"medium","voice_tone":"clear, didactic, resonant"}

C
Classical Literature
P
Purāṇic Cosmology
S
Sanskrit Textual Tradition
V
Vaishnava Narrative Frame

FAQs

It reflects a common Purāṇic cosmogonic motif in which divine principles are differentiated (e.g., male/female, multiple emanations) to explain the origin and enumeration of deity-groups such as the Rudras, situating the Varāha Purāṇa within broader Sanskrit mythographic and genealogical literature.

No geographic location is named in this verse; the content is primarily cosmogonic and genealogical (origin of the eleven Rudras).

The verse does not present a direct ethical injunction; its philosophical instruction is descriptive, emphasizing structured differentiation and orderly emanation as a framework for understanding cosmic origins.

Ask anything about this verse

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