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Shloka 25

The Glory of Varāha’s Rite: Merits of Cow-dung Plastering, Sweeping, Singing, Instrumental Music, and Dance

with a Truth-Vow Exemplum

इन्द्रलोकात्परिभ्रष्टो मम गीतपरायणः ॥ नन्दनोपवने रम्ये रमन्देवगणैः सह

indralokāt paribhraṣṭo mama gītaparāyaṇaḥ || nandanopavane ramye raman devagaṇaiḥ saha

ເມື່ອຫຼຸດພົ້ນຈາກໂລກອິນທຣາແລ້ວ ຜູ້ທີ່ອຸທິດໃຈໃນການຂັບຮ້ອງສັນລະເສີນເຮົາ ຍ່ອມສຳລານໃນສວນນັນທະນະອັນງາມ ພ້ອມກັບຫມູ່ເທວະ

इन्द्र-लोकात्from Indra’s world
इन्द्र-लोकात्:
अपादान (Apādāna/Source)
TypeNoun
Rootइन्द्र (प्रातिपदिक) + लोक (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी-विभक्ति (5th/Ablative), एकवचन
परिभ्रष्टःfallen away / deviated
परिभ्रष्टः:
कर्तृ-विशेषण (Karta-viśeṣaṇa)
TypeAdjective
Rootपरि + भ्रष्ट (प्रातिपदिक; कृदन्त-निष्पन्न)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; विशेषण
ममmy
मम:
सम्बन्ध (Genitive relation)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी (6th/Genitive), एकवचन
गीत-परायणःdevoted to (my) singing/chanting
गीत-परायणः:
कर्तृ-विशेषण (Karta-viśeṣaṇa)
TypeAdjective
Rootगीत (प्रातिपदिक) + परायण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; ‘गीते परायणः’ इति सप्तमी/तत्पुरुषार्थे (devoted to singing)
नन्दन-उपवनेin the Nandana grove
नन्दन-उपवने:
अधिकरण (Adhikaraṇa/Location)
TypeNoun
Rootनन्दन (प्रातिपदिक) + उपवन (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन
रम्येdelightful
रम्ये:
अधिकरण-विशेषण (Adhikaraṇa-viśeṣaṇa)
TypeAdjective
Rootरम्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th), एकवचन; ‘उपवने’ इत्यस्य विशेषण
रमन्enjoying / sporting
रमन्:
कर्ता (Karta/Agent as participle)
TypeVerb
Rootरम् (धातु) → रमन् (कृदन्त; शतृ-प्रत्यय, वर्तमानकाले)
Formशतृ-प्रत्ययान्त कृदन्त (present active participle); पुंलिङ्ग, प्रथमा (1st), एकवचन; मुख्यक्रियायाः अव्यक्त-सम्बन्धे (while enjoying)
देव-गणैःwith groups of gods
देव-गणैः:
सहकारक/सह (Sahakāraka/Association)
TypeNoun
Rootदेव (प्रातिपदिक) + गण (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन
सहwith
सह:
सह (Association marker)
TypeIndeclinable
Rootसह (अव्यय)
Formअव्यय; सहार्थक (with; governs instrumental)

Varāha

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"Nandana (Indra’s grove; not Mathurā’s Nandagrāma)","parikrama_context":"None","krishna_connection":"Name ‘Nandana’ may incidentally recall Nanda, but here it is explicitly Indra’s celestial garden; no Kṛṣṇa-līlā linkage in this verse"}

Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti-and-saṃsāra","core_concept":"Even after svarga, beings ‘fall’ (paribhraṣṭa) and continue transmigration; devotion expressed as kīrtana remains a sustaining saṃskāra.","practical_application":"Treat heavenly attainments as impermanent; prioritize nāma-gāna/kīrtana as a portable practice across births and worlds."}

Subject Matter: ["Cosmology","Heritage Sites"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: celestial garden

Related Themes: Continuation of the loka-gati sequence: Indraloka → Nandana enjoyment → return to earth → Viṣṇu-loka

Visual Art Cues: {"scene_description":"A devotee devoted to singing Viṣṇu’s praise delights in Indra’s Nandana grove among divine hosts, yet the narrative hints at eventual descent.","item_prompts":["lush celestial grove with pārijāta/kalpavṛkṣa motifs","gandharvas/apsaras and deva-gaṇas","devotee singing with vīṇā/karatāla","subtle motif of a turning wheel (saṃsāra) or fading svarga glow"],"kerala_mural_prompt":"Kerala mural: ornate celestial garden, stylized trees and lotuses; singer-devotee with vīṇā; devas in symmetrical rows; gentle suggestion of impermanence via dimming aureole at edge.","tanjore_prompt":"Tanjore: gold-leafed garden canopy, jeweled trees; central singing devotee; surrounding devas; Indra’s palace hinted with gold relief.","mysore_prompt":"Mysore: elegant courtly garden scene; fine detailing of flora; soft celestial light; devotee singing with composed devotion.","pahari_prompt":"Pahari: delicate, miniature-like grove with bright blossoms; devas as small figures; devotee singing; a pale horizon indicating the coming ‘fall’ from svarga."}

Audio Atmosphere: {"recitation_mood":"luminous yet reflective","suggested_raga":"Hamsadhvani","pace":"medium-fast","voice_tone":"clear, slightly elevated, with a contemplative cadence on ‘paribhraṣṭa’"}

C
Classical Literature
V
Vaishnavism
P
Purāṇic Cosmography

FAQs

It preserves the cultural motif of Nandana (Indra’s garden), important for comparative Purāṇic studies of paradise imagery.

Nandana is a celestial grove in Purāṇic literature, not a terrestrial heritage site.

Devotional singing is presented as a sustained orientation that continues to shape one’s experience across realms.