Shloka 93
Kroṣṭu–Yādava Lineages, the Syamantaka Jewel, Krishna’s Birth Context, and the Māyāmoha Account
सत्योत्पन्नास्सुतास्तस्य शतमेकं च विश्रुताः । विख्याताश्च महावीर्या भंगकारश्च पूर्वजः
satyotpannāssutāstasya śatamekaṃ ca viśrutāḥ | vikhyātāśca mahāvīryā bhaṃgakāraśca pūrvajaḥ
ຈາກທ່ານນັ້ນ ໄດ້ເກີດບຸດຊາຍ 101 ອົງ ອັນເລື່ອງລືວ່າເກີດຈາກ ສັດຍາ. ພວກເຂົາລ້ວນມີຊື່ສຽງ ແລະກ້າຫານຍິ່ງ; ແລະໃນພວກນັ້ນ ພັງກະກາຣະ ເປັນຜູ້ໃຫຍ່ສຸດ.
Unspecified narrator (context-dependent within Sṛṣṭikhaṇḍa narration)
Concept: Lineage (vaṃśa) is preserved through dharmic progeny; fame and vīrya are portrayed as fruits of ordered creation and righteous continuity.
Application: Honor forebears by living in a way that strengthens family integrity—truthfulness, responsibility, and protection of dependents—so ‘renown’ becomes ethical rather than merely social.
Primary Rasa: vira
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A Purāṇic scribe-sage recites a luminous genealogy as a vast lotus-scroll unfurls in the air, each petal bearing a son’s name. At the forefront stands Bhaṅgakāra, eldest among the hundred-and-one, depicted with calm authority while the lineage radiates behind him like a constellation.","primary_figures":["Bhaṅgakāra","Purāṇic narrator-sage","the hundred-and-one sons (symbolic silhouettes)"],"setting":"An ancient āśrama hall with palm-leaf manuscripts, a lotus-shaped dais, and a cosmic backdrop suggesting creation-time memory.","lighting_mood":"divine radiance","color_palette":["antique parchment","lotus pink","saffron gold","indigo night","emerald green"],"tanjore_prompt":"Tanjore painting style: Bhaṅgakāra enthroned on a lotus pedestal, haloed, with a gold-leaf genealogical lotus-scroll behind him showing 101 small medallions; rich crimson and emerald textiles, gem-studded ornaments, ornate arch (prabhāmaṇḍala), South Indian iconographic symmetry, high-relief gold detailing.","pahari_prompt":"Pahari miniature style: a serene sage reciting from a manuscript while a lotus-vine of names curls across the sky; Bhaṅgakāra stands modestly at the edge, refined facial features, delicate brushwork, cool twilight palette with lyrical naturalism and soft hills in the distance.","kerala_mural_prompt":"Kerala mural style: bold black outlines, flat temple-wall composition; Bhaṅgakāra with stylized eyes and jewelry, a large lotus behind him containing many small name-panels; red-yellow-green pigments, rhythmic ornamental borders, sacred diagram-like genealogy.","pichwai_prompt":"Pichwai cloth painting style: a grand lotus mandala filled with 101 small petals each bearing a symbolic figure; central petal shows Bhaṅgakāra; intricate floral borders, deep blue ground with gold highlights, peacocks and lotuses framing the genealogical theme in Nathdwara decorative density."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft temple bells","palm-leaf page turns","low drone (tanpura)","distant conch shell"]}
Sandhi Resolution Notes: सत्योत्पन्नास्सुताः = सत्योत्पन्नाः + सुताः; सुतास्तस्य = सुताः + तस्य; विख्याताश्च = विख्याताः + च; भंगकारश्च = भंगकारः + च.
FAQs
It records a genealogical detail: a figure had 101 sons described as born of Satya, all famed and valorous, with Bhaṅgakāra identified as the eldest.
Not directly; it functions primarily as lineage narration within the creation/genealogical framework typical of the Sṛṣṭikhaṇḍa.
The verse itself does not name the speaker; it appears as narrator-style genealogical reporting, and the precise speaker depends on the surrounding Adhyaya’s dialogue frame.