Shloka 92
Kroṣṭu–Yādava Lineages, the Syamantaka Jewel, Krishna’s Birth Context, and the Māyāmoha Account
अस्माकं मनसि ह्यासीत्प्रसेनस्तु त्वया हतः । एकैकस्यास्तु सुंदर्यो दश सत्राजितः सुताः
asmākaṃ manasi hyāsītprasenastu tvayā hataḥ | ekaikasyāstu suṃdaryo daśa satrājitaḥ sutāḥ
ໃນໃຈຂອງພວກເຮົາ ແທ້ຈິງເຄີຍຄິດວ່າ ປຣະເສນະ ຖືກທ່ານສັງຫານແລ້ວ. ແລະພວກເຮົາກໍເຊື່ອວ່າ ບຸດຣີຜູ້ງາມສິບນາງຂອງ ສັດຣາຈິດ ຈະຖືກມອບ—ຄົນລະນາງໃຫ້ແຕ່ລະຄົນໃນພວກເຮົາ.
Unspecified interlocutor (context suggests members of Satrājit’s circle addressing the accused, likely connected to the Prasena episode)
Concept: Greed and lust distort judgment, producing false accusations and treating persons as rewards; adharma begins in the mind (manas).
Application: Examine motives before forming accusations; refuse transactional attitudes toward relationships; cultivate restraint and truthfulness.
Primary Rasa: bibhatsa
Secondary Rasa: raudra
Type: city
Visual Art Cues: {"scene_description":"A cluster of courtiers whisper with narrowed eyes, their hands half-extended as if already claiming what is not theirs. Behind them, Satrājit’s daughters appear as distant, dignified silhouettes—contrasting their objectification—while the atmosphere thickens with moral decay and rumor.","primary_figures":["Satrājit’s courtiers/kinsmen (accusers)","Satrājit’s daughters (ten maidens, suggested)","an implied accused figure (off-frame or shadowed)"],"setting":"Palace corridor or side-court of Dvārakā, away from the main hall—an intimate space where gossip breeds.","lighting_mood":"moonlit","color_palette":["smoky black","cold silver","dull bronze","wine red","pale jasmine"],"tanjore_prompt":"Tanjore painting style: a cautionary court vignette—accusers with exaggerated greedy expressions, heavy ornaments rendered in gold leaf but tarnished by dark background; maidens shown with serene halos to emphasize dignity; ornate borders, moral contrast through color and posture.","pahari_prompt":"Pahari miniature style: subtle psychological drama—whispering men in a shadowed corridor, delicate facial cues of suspicion; maidens in the background with refined grace; cool nocturnal palette, fine textile patterns.","kerala_mural_prompt":"Kerala mural style: bold outlines and expressive eyes; accusers clustered like a dark mass; maidens as bright, orderly forms; red/yellow/green pigments used to show ethical contrast; temple-wall narrative clarity.","pichwai_prompt":"Pichwai cloth painting style: allegorical composition—dark floral vines curling around whispering figures (symbolizing rumor), contrasted with lotus motifs around the maidens; deep indigo ground, gold detailing, ornate border framing the moral lesson."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"emotional","sound_elements":["hushed whispers","sharp intake of breath","distant drum pulse","sudden silence after accusation"]}
Sandhi Resolution Notes: ह्यासीत् = हि + आसीत्; आसीत्प्रसेनः = आसीत् + प्रसेनः; प्रसेनस्तु = प्रसेनः + तु; एकैकस्यास्तु = एकैकस्य + अस्तु.
FAQs
It reports a suspicion—“we thought you killed Prasena”—and a related expectation of political-marital reward: Satrājit’s ten daughters to be distributed one to each claimant.
No. It states an opinion held “in our minds,” i.e., an accusation or suspicion, not a proven account.
It highlights how suspicion and desire for gain (marriage alliances/reward) can distort judgment, encouraging discernment before blaming someone for a death.