The Description of the Four Durgā Mantras
द्रामाद्यां द्राविणीं मूर्ध्निं द्रामाद्यां क्षोभणी पदे । क्लींवशीकरणीं वक्त्रे गुह्ये ब्लृं बीजपूर्विकाम् ॥ ५३ ॥
drāmādyāṃ drāviṇīṃ mūrdhniṃ drāmādyāṃ kṣobhaṇī pade | klīṃvaśīkaraṇīṃ vaktre guhye blṛṃ bījapūrvikām || 53 ||
ຄວນເຮັດ nyāsa ວາງພະຍາງ «drām» ທີ່ເອີ້ນວ່າ Drāviṇī ຜູ້ປະທານຄວາມຮັ່ງມີ ໄວ້ເທິງສີສະ; ວາງ «drām» ທີ່ເອີ້ນວ່າ Kṣobhaṇī ຜູ້ກະຕຸ້ນ ໄວ້ທີ່ຕີນ; ວາງ «klīṃ» ອັນເຮັດໃຫ້ເກີດ vaśīkaraṇa ໄວ້ທີ່ປາກ; ແລະໃນບ່ອນລັບ ວາງພະຍາງທີ່ເລີ່ມດ້ວຍບີຈາ «blṛṃ».
Sanatkumara (in instruction to Narada on technical mantra-nyasa practice)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches a precise nyāsa (ritual placement) of specific bīja-syllables on the body, presenting the body as a sacred support for mantra-shakti—prosperity (drāviṇī), activation (kṣobhaṇī), attraction (klīṃ), and a guarded inner potency (blṛṃ).
While primarily technical, it supports bhakti-oriented worship by prescribing a disciplined preparatory rite (nyāsa) that steadies speech, mind, and body for focused japa and pūjā, making devotion more concentrated and ritually correct.
It highlights applied mantra-vidyā within the technical disciplines—how specific seed syllables are assigned to bodily loci (a procedural ritual science), emphasizing correct phonetic form and placement as part of effective practice.
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