Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
धर्मार्थकाममोक्षाप्त्यै विनियोग उदाहृतः । षडंगदेवतामन्त्रैरंगन्यासं समाचरेत् ॥ १४० ॥
dharmārthakāmamokṣāptyai viniyoga udāhṛtaḥ | ṣaḍaṃgadevatāmantrairaṃganyāsaṃ samācaret || 140 ||
ເພື່ອໄດ້ຮັບ ທັມມະ (dharma) ອັດຖະ (artha) ກາມະ (kāma) ແລະ ໂມກສະ (mokṣa) ວິນິໂຢກ (viniyoga) ຖືກປະກາດໄວ້ດັ່ງນີ້; ແລ້ວຈຶ່ງຄວນເຮັດ ອັງກະ-ນຍາສະ (aṅga-nyāsa) ໂດຍມັນຕຣາຂອງເທວະປະທານແຫ່ງສະດັງກະ (ṣaḍaṅga) ຫົກສ່ວນ।
Sanatkumara (in instruction to Narada, within the Vedāṅga/ritual-technical discourse)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It frames mantra-prayoga as a complete sādhana: by correctly stating the viniyoga and performing aṅganyāsa, the practitioner aligns intention, deity-power, and body-mind for the four human aims culminating in mokṣa.
Bhakti here is expressed as disciplined worship: the devotee approaches the deity through mantras with proper application (viniyoga) and embodied reverence (nyāsa), turning devotion into a precise, sanctifying practice.
It highlights mantra-śāstra prayoga—especially the procedural elements of viniyoga and ṣaḍaṅga/aṅganyāsa—showing the technical ritual method used in Vedic and tantric-style recitation.
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