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Narada Purana — Purva Bhaga, Shloka 169

Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas

प्रसूनावलिसौरभ्यमाद्यन्मधुकरारवम् । दिव्यवातोञ्चलत्कंजपरागोद्धूलितांबरम् ॥ १६९ ॥

prasūnāvalisaurabhyamādyanmadhukarāravam | divyavātoñcalatkaṃjaparāgoddhūlitāṃbaram || 169 ||

ຫອມຫວນດ້ວຍແຖວດອກໄມ້ຫຼາຍຫຼັງ ກ້ອງກັງວານດ້ວຍສຽງຜຶ້ງຮ້ອງເມື່ອດື່ມນ້ຳເຜິ້ງອັນປະຖົມ ແລະຜ້າອາພອນຖືກຝຸ່ນລະອອງເກສອນດອກບົວທີ່ຖືກລົມທິບພັດໃຫ້ໄຫວສັ່ນປົກຄຸມ।

प्रसून-आवलि-सौरभ्यम्fragrant with rows of flowers
प्रसून-आवलि-सौरभ्यम्:
Karma (कर्म/Object-qualifier)
TypeAdjective
Rootप्रसून (प्रातिपदिक) + आवलि (प्रातिपदिक) + सौरभ्य (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), द्वितीया (Accusative, 2nd), एकवचन (Singular); तत्पुरुषः: ‘प्रसूनानाम् आवलिः’ (garland/row of flowers) तस्य सौरभ्यम् = fragrance of rows of flowers
आद्यत्-मधुकर-आरवम्resounding with the hum of bees
आद्यत्-मधुकर-आरवम्:
Karma (कर्म/Object-qualifier)
TypeAdjective
Rootआद्यत् (कृदन्त, √अद्/√आद्?; here sense ‘resounding’) + मधुकर (प्रातिपदिक) + आरव (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), द्वितीया (Accusative, 2nd), एकवचन (Singular); तत्पुरुषः: ‘मधुकराणाम् आरवः’ = humming of bees; आद्यत् = sounding/resounding (contextual)
दिव्य-वात-उञ्चलत्-कञ्ज-पराग-उद्धूलित-अम्बरम्with garments dusted by lotus pollen stirred by divine breeze
दिव्य-वात-उञ्चलत्-कञ्ज-पराग-उद्धूलित-अम्बरम्:
Karma (कर्म/Object-qualifier)
TypeAdjective
Rootदिव्य (प्रातिपदिक) + वात (प्रातिपदिक) + उञ्चलत् (कृदन्त, √उञ्चल्) + कञ्ज (प्रातिपदिक) + पराग (प्रातिपदिक) + उद्धूलित (कृदन्त, √धूल्/√ध्वंस् with उद्) + अम्बर (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), द्वितीया (Accusative, 2nd), एकवचन (Singular); बहुपद-तत्पुरुषः: ‘दिव्यवातेन उञ्चलत्कञ्जपरागैः उद्धूलितम् अम्बरम् यस्य’ = whose garments are dusted by lotus-pollen stirred by divine breeze

Narada (descriptive narration within the dialogue tradition with Sanatkumara)

Vrata: none

Primary Rasa: adbhuta

Secondary Rasa: shanta

B
Bees (madhukara)
L
Lotus (kañja)

FAQs

It evokes a sanctified, sattvic atmosphere—fragrance, gentle sound, and lotus-pollen purity—supporting dhyāna (contemplation) and devotional absorption by depicting the qualities of an auspicious sacred space.

By painting a vivid devotional environment (flowers, bees, lotuses, divine breeze), it guides the mind toward single-pointed remembrance—bhakti grows when the senses are oriented to pure, temple-like imagery rather than distraction.

Primarily Śikṣā (phonetics/recitation) and chandas-style cadence: the verse is crafted for smooth oral delivery and visualization, showing how disciplined sound and imagery aid memorization and meditative focus.

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