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Narada Purana — Purva Bhaga, Shloka 31

Anūcāna (True Learning), the Vedāṅgas, and Śikṣā: Svara, Sāmavedic Chant, and Gandharva Theory

ताना एकोनपंचाशदित्येतस्स्वरमंडलम् । षड्जश्च ऋषभश्चैव गांधारो मध्यमस्तथा ॥ ३१ ॥

tānā ekonapaṃcāśadityetassvaramaṃḍalam | ṣaḍjaśca ṛṣabhaścaiva gāṃdhāro madhyamastathā || 31 ||

ຕານະ (tāna) ກ່າວກັນວ່າມີ 49; ນີ້ແມ່ນວົງມົນທົນຂອງສະວະຣະຢ່າງຄົບຖ້ວນ. ໃນນັ້ນມີ ṣaḍja, ṛṣabha, gāndhāra ແລະ madhyama ເຊັ່ນດຽວກັນ.

तानाःtānas (melodic patterns)
तानाः:
कर्ता (कर्ता/उद्देश्य)
TypeNoun
Rootतान (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन
एकोनपञ्चाशत्forty-nine
एकोनपञ्चाशत्:
विधेय (predicate numeral)
TypeNoun
Rootएकोन + पञ्चाशत् (प्रातिपदिक; संख्या)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; समासः—एकेन ऊना पञ्चाशत् (तत्पुरुष)
इतिthus
इति:
सम्बन्ध/निपात
TypeIndeclinable
Rootइति (अव्यय)
Formअव्यय; उद्धरण/समाप्तिसूचक (quotative particle)
एतत्this
एतत्:
विशेषण (स्वरमण्डल-विशेषण)
TypeAdjective
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विशेषण
स्वरमण्डलम्the circle/system of notes
स्वरमण्डलम्:
विधेय (predicate nominal)
TypeNoun
Rootस्वर + मण्डल (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; समासः—स्वराणां मण्डलम् (षष्ठी-तत्पुरुष)
षड्जःṢaḍja
षड्जः:
कर्ता (समुच्चित-कर्ता)
TypeNoun
Rootषड्ज (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
and
:
समुच्चय (connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
ऋषभःṚṣabha
ऋषभः:
कर्ता (समुच्चित-कर्ता)
TypeNoun
Rootऋषभ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
and
:
समुच्चय
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय
एवindeed/also
एव:
सम्बन्ध/निपात
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय; अवधारण (emphatic particle)
गान्धारःGāndhāra
गान्धारः:
कर्ता (समुच्चित-कर्ता)
TypeNoun
Rootगान्धार (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
मध्यमःMadhyama
मध्यमः:
कर्ता (समुच्चित-कर्ता)
TypeNoun
Rootमध्यम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
तथाlikewise/also
तथा:
सम्बन्ध/समुच्चय
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; समुच्चय/प्रकारवाचक (and likewise)

Sanatkumāra (teaching Nārada)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

N
Narada
S
Sanatkumara

FAQs

It frames sacred sound (nāda) as an ordered science—by mapping tānas and svaras—supporting disciplined use of sound as a means toward inner steadiness and mokṣa-oriented practice.

While technical, it underlies bhakti through correct use of melody and pitch in stotra, kīrtana, and nāma-saṅkīrtana—showing that devotion can be strengthened when sound is rendered with proper svara-knowledge.

It highlights śikṣā (phonetics) and allied Gandharva-veda/music theory by enumerating the tonal framework (svara-maṇḍala) and naming core notes like ṣaḍja, ṛṣabha, gāndhāra, and madhyama.

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