Shloka 123

Adhyāya 141 — Night duels: Śaineya and Bhūriśravas; Droṇi and Ghaṭotkaca; Bhīma and Duryodhana

Devanagari script

विदार्य देहान्‌ नाराचैर्नरवारणवाजिनाम्‌

Transliteration

vidārya dehān nārācair naravāraṇavājinām

Translation

ສັນຊະຍະເວົ້າວ່າ: ດ້ວຍລູກສອນນາຣາຈະອັນແຫຼມຄົມ ເຂົາໄດ້ສະຫຼາຍຮ່າງກາຍຂອງຄົນ, ຊ້າງ, ແລະມ້າ—ເປັນພາບຂອງກະແສຮົບອັນໂຫດຮ້າຍ, ເມື່ອຝີມືການຮົບກາຍເປັນພະລັງທີ່ທຳລາຍຊີວິດໂດຍບໍ່ເລືອກ ແລະທົດສອບຂອບເຂດຂອງທຳມະທ່າມກາງການຂ້າຟັນ.

Word by Word

• विदार्य: having torn asunder
• Type: Verb
• Root: विदॄ (वि + दॄ)
• Form: क्त्वान्त (absolutive/gerund), कर्तरि

• देहान्: bodies
• देहान्: Karma
• Type: Noun
• Root: देह
• Form: Masculine, Accusative, Plural

• नाराचैः: with iron arrows
• नाराचैः: Karana
• Type: Noun
• Root: नाराच
• Form: Masculine, Instrumental, Plural

• नर-वारण-वाजिनाम्: of men, elephants, and horses
• Type: Noun
• Root: नर + वारण + वाजिन्
• Form: Masculine, Genitive, Plural

Speaker

संजय उवाच

Characters & Entities

• Sañjaya
• nārāca (arrow/weapon)
• men (warriors)
• elephants
• horses

Educational Q&A

What is the core teaching?

The verse underscores the grim ethical tension of war: even when framed as kṣatriya duty, combat unleashes indiscriminate destruction across humans and animals, pressing the listener to reflect on the cost of victory and the fragility of dharma in violence.

What is happening in the narrative?

Sañjaya describes a warrior’s devastating archery: using nārāca arrows, he rends the bodies of enemy fighters and their mounts—men, elephants, and horses—conveying the intensity and carnage of the battlefield.