Agni Purana — Yoga & Brahma-vidya, Shloka 15
Chapter 373 — ध्यानम्
Dhyāna / Meditation
ध्यानयज्ञः परस्तस्मादपवर्गफलप्रदः तस्माद्शुद्धं सन्त्यज्य ह्य् अनित्यं वाह्यसाधनं
dhyānayajñaḥ parastasmādapavargaphalapradaḥ tasmādśuddhaṃ santyajya hy anityaṃ vāhyasādhanaṃ
ຍັດນະອັນເປັນການພິຈາລະນາສະມາທິ (ທຽນະຍັດນະ) ສູງກວ່າພິທີພາຍນອກນັ້ນ ແລະໃຫ້ຜົນແຫ່ງອະປະວັກຄະ (ການຫຼຸດພົ້ນ). ດັ່ງນັ້ນ ຈຶ່ງຄວນລະທິ້ງເຄື່ອງອາໄສພາຍນອກທີ່ແມ່ນບໍລິສຸດແຕ່ບໍ່ຖາວອນ ແລ້ວເຂົ້າສູ່ທາງໃນ.
Lord Agni (in discourse to Sage Vasiṣṭha, typical Agni Purana narration frame)
Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Yoga-vidya","practical_application":"Shift spiritual effort from external ritual performance to sustained meditation as the primary sādhanā for apavarga (mokṣa).","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Dhyana-yajna as the Superior Sacrifice Giving Apavarga","lookup_keywords":["dhyāna-yajña","apavarga","bāhya-sādhana","sannyāsa","mokṣa-sādhana"],"quick_summary":"Meditation itself is taught as the highest yajña, directly yielding liberation; external ‘pure’ means are impermanent and should be relinquished in favor of the inward path."}
Concept: Dhyāna is re-framed as yajña: an inward offering that surpasses external rites and culminates in apavarga; vairāgya toward anitya bāhya-sādhana is required.
Application: Establish a daily meditation ‘yajña’ (fixed seat, time, breath regulation, mantra or formless contemplation); simplify ritual to essentials while deepening inner attention.
Khanda Section: Yoga-vidya (Dhyana-yajna and Moksha-sadhana)
Primary Rasa: shanta
Secondary Rasa: vairagya
Visual Art Cues: {"scene_description":"A contrast scene: on one side elaborate ritual paraphernalia fading like mist; on the other, a meditator seated steadily, offering attention into an inner flame, symbolizing dhyāna-yajña yielding apavarga.","kerala_mural_prompt":"Kerala mural, split composition: left side ritual items rendered subdued, right side luminous yogin with heart-lotus fire, traditional borders, calm facial expression, symbolic threefold purity motifs.","tanjore_prompt":"Tanjore, central meditating figure with gold halo; outer ritual vessels placed at the margins as secondary; gold leaf highlighting the inner flame/lotus and the wordless ‘apavarga’ symbolism (open sky, liberated bird).","mysore_prompt":"Mysore style instructional painting: clear depiction of meditation posture, minimal altar, subtle cues of renunciation (discarded ritual ladle), gentle colors, emphasis on inward gaze.","mughal_miniature_prompt":"Mughal miniature: a sage in a quiet chamber, ritual objects packed away in a chest, the sage absorbed in meditation; fine architectural details, soft light, restrained palette."}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"instructional"}
Sandhi Resolution Notes: apavargaphalapradaḥ = अपवर्ग-फल-प्रदः; tasmādśuddhaṃ = तस्मात् + शुद्धम्; hy anityaṃ = हि + अनित्यम्; vāhyasādhanaṃ = वाह्य-साधनम्.
Related Themes: Agni Purana: Mokṣa-dharma/Yoga chapters on dhyāna, vairāgya, and tattva-viveka; Agni Purana: Pūjā-vidhi sections contrasting external purity with inner intent
FAQs
It teaches the hierarchy of yajñas: dhyāna-yajña (meditative sacrifice) is presented as superior to outward ritual implements and procedures, because it directly yields apavarga (liberation).
Alongside external rites, the Agni Purana also preserves yoga and soteriology: it classifies practices, evaluates their results, and integrates ritual science with the mokṣa-oriented discipline of meditation.
It redirects the practitioner from reliance on impermanent external supports to the inward, liberating discipline of meditation, emphasizing liberation as the highest fruit beyond ritual merit.