Agni Purana — Sahitya-shastra, Shloka 38
Chapter 336 — काव्यादिलक्षणम्
Definitions of Poetry and Related Arts
आभासोपमशक्तिश् च सर्गे यद्भिन्नवृत्तता मिश्रं वपुरिति ख्यातं प्रकीर्णमिति च द्विधा श्रव्यञ्चैवाभिनेयञ्च प्रकीर्णं सकलोक्तिभिः
ābhāsopamaśaktiś ca sarge yadbhinnavṛttatā miśraṃ vapuriti khyātaṃ prakīrṇamiti ca dvidhā śravyañcaivābhineyañca prakīrṇaṃ sakaloktibhiḥ
ໃນສະກະ (sarga) ຖ້າມີການໃຊ້ສັນທະ (ແມັດ) ຫຼາຍແບບ ພ້ອມກັບອະລັງກາຣະທີ່ເອີ້ນວ່າ Ābhāsa, Upamā ແລະ Śakti ການປະພັນນັ້ນເອີ້ນວ່າ “Miśra-vapu” (ຮູບແບບປົນປົວ)។ ຍັງເອີ້ນວ່າ “Prakīrṇa” (ປະປົນ/ຫຼາກຫຼາຍ) ມີ 2 ປະເພດ: (1) ສໍາລັບຟັງ (śravya) ແລະ (2) ສໍາລັບສະແດງ (ābhineya) ໂດຍມີຖ້ອຍຄໍາແລະບົດສົນທະນາທຸກຊະນິດຄົບຖ້ວນ।
Lord Agni (teaching sage Vasiṣṭha)
Vidya Category: {"primary_vidya":"Alamkara","secondary_vidya":"Natya","practical_application":"Classifying a poetic composition within a sarga by identifying mixed metres and specific figures, and deciding whether it is meant for recitation (śravya) or performance (ābhineya).","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Miśra-vapu / Prakīrṇa (mixed-form composition)","lookup_keywords":["miśra-vapu","prakīrṇa","śravya","ābhineya","bhinnavṛttatā"],"quick_summary":"A sarga that mixes metres and employs figures like ābhāsa, upamā, and śakti is termed miśra-vapu, also called prakīrṇa. Prakīrṇa is of two kinds—meant to be heard or enacted—using varied dialogic utterances."}
Alamkara Type: Upamā; Ābhāsa (semblance/false appearance figure); Śakti (expressive power/semantic potency as treated in alaṅkāra discourse)
Concept: Systematization of literary forms by observable features (metre-variation, figures, mode of reception).
Application: Use as a checklist for editors, teachers, and performers to label a work and choose recitation vs staging conventions.
Khanda Section: Sahitya-shastra (Kavya–Natya and Rupaka classifications)
Primary Rasa: adbhuta
Secondary Rasa: hāsya
Visual Art Cues: {"scene_description":"A learned poet-teacher points to palm-leaf manuscripts showing alternating metres; beside him, actors rehearse dialogue, illustrating śravya vs ābhineya prakīrṇa.","kerala_mural_prompt":"Kerala temple mural style, warm earthy palette, a guru in white dhoti teaching poets with palm-leaf manuscripts, rhythmic metre marks, nearby actors in stylized abhinaya poses, flat decorative background, traditional ornaments","tanjore_prompt":"Tanjore painting with gold leaf highlights: seated acharya holding manuscript, ornate arch frame, two panels showing śravya recitation and ābhineya enactment, rich reds and greens, embossed jewelry","mysore_prompt":"Mysore painting style, delicate linework: classroom of poets, manuscript with metre symbols, small stage to the side with actors delivering varied utterances, soft pastel wash, minimal background","mughal_miniature_prompt":"Mughal miniature: courtly literary salon, scribe and poet comparing metres, a small troupe performing dialogue, detailed textiles, architectural interior, fine borders and calligraphic labels for miśra-vapu/prakīrṇa"}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Vachaspati","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: ābhāsopamaśaktiḥ = ābhāsa-upama-śaktiḥ; yadbhinnavṛttatā = yat + bhinna-vṛttatā; śravyañcaiva = śravyam + ca + eva; abhineyañca = abhineyam + ca; sakaloktibhiḥ = sakala-uktibhiḥ.
Related Themes: Agni Purana Adhyaya 336 (Kāvya-ādi-lakṣaṇa); Agni Purana Adhyaya 337 (Nāṭaka-nirūpaṇa)
FAQs
It imparts kavya–natya technical knowledge: the definition of a mixed literary/dramatic form (Miśra-vapu/Prakīrṇa), identified by varied metres within a canto and by the use of figures like ābhāsa and upamā, and classified as śravya (recitable) or ābhineya (actable).
Beyond theology and ritual, the Agni Purana codifies Sanskrit literary theory—prosody (vṛtta), dramaturgy (ābhineya), and poetic devices—showing its wide-ranging, handbook-like coverage of classical Indian knowledge systems.
Indirectly, it supports dharmic transmission by systematizing correct recitation and performance (śravya/ābhineya), enabling sacred and ethical narratives to be communicated effectively and preserved through disciplined literary forms.