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Agni Purana — Mantra-shastra, Shloka 10

वागीश्वरीपूजा

Worship of Vāgīśvarī

शाङ्करी मतिर्धृतिश् च पूर्वाद्या ह्रीं स्ववीजकाः ध्येया सरस्वतीवच्च कपिलाज्येन होमकः संस्कृतप्राकृतकविः काव्यशास्त्रादिविद्भवेत्

śāṅkarī matirdhṛtiś ca pūrvādyā hrīṃ svavījakāḥ dhyeyā sarasvatīvacca kapilājyena homakaḥ saṃskṛtaprākṛtakaviḥ kāvyaśāstrādividbhavet

ຄວນພິຈາລະນາ (ອຳນາດມັນຕຣາ) Śāṅkarī, Mati, ແລະ Dhṛti ພ້ອມທັງອັນທີ່ກ່ອນໜ້າ, ແລະພິຈາລະນາ Hrīṃ ພ້ອມດ້ວຍພະຍາງຄົວເມັດ (bīja) ຂອງແຕ່ລະອົງ ໃນຖານະເປັນຮູບຂອງ Sarasvatī. ເມື່ອປະກອບພິທີ homa ດ້ວຍນ້ຳມັນເນີຍຈາກງົວສີນ້ຳຕານ (kapilā-jya) ຜູ້ນັ້ນຈະເປັນກະວີໃນສັນສະກຣິດ ແລະ ປຣາກຣິດ ແລະເປັນຜູ້ຮູ້ kāvya-śāstra ກັບວິຊາສາຂາອື່ນໆ.

शाङ्करीŚāṅkarī
शाङ्करी:
सम्बन्ध (Apposition/सम्बन्ध)
TypeNoun
Rootशाङ्करी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
मतिःintellect
मतिः:
सम्बन्ध (Apposition/सम्बन्ध)
TypeNoun
Rootमति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
धृतिःsteadfastness
धृतिः:
सम्बन्ध (Apposition/सम्बन्ध)
TypeNoun
Rootधृति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
and
:
सम्बन्ध (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय
पूर्वाद्याःbeginning with the east (etc.)
पूर्वाद्याः:
विशेषण (Qualifier/विशेषण)
TypeAdjective
Rootपूर्व + आदि (प्रातिपदिक)
Formतत्पुरुष-समास (पूर्वादयः), स्त्रीलिङ्ग, प्रथमा, बहुवचन
ह्रीम्hrīṃ (seed syllable)
ह्रीम्:
सम्बन्ध (Mantra element/सम्बन्ध)
TypeIndeclinable
Rootह्रीम् (बीज-मन्त्र; अव्ययवत्)
Formबीजाक्षर (mantric seed syllable), अव्ययवत् प्रयोग
स्ववीजकाःhaving their own seed-syllables
स्ववीजकाः:
विशेषण (Qualifier/विशेषण)
TypeAdjective
Rootस्व + बीजक (प्रातिपदिक)
Formतत्पुरुष-समास (स्वं बीजं येषाम्), पुंलिङ्ग, प्रथमा, बहुवचन
ध्येयाःto be meditated upon
ध्येयाः:
विधेय (Predicate/विधेय)
TypeAdjective
Rootध्येय (ध्यै-धातु, ण्यत्; कृदन्त/प्रातिपदिक)
Formकर्तव्यता/विधेयार्थक कृदन्त (to be meditated upon), स्त्रीलिङ्ग, प्रथमा, बहुवचन
सरस्वतीवत्like Sarasvatī
सरस्वतीवत्:
सम्बन्ध (Comparison/सम्बन्ध)
TypeIndeclinable
Rootसरस्वती + वत् (प्रातिपदिक/तद्धित)
Formउपमानवाचक अव्यय (vat = like), अव्ययवत् प्रयोग
and
:
सम्बन्ध (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय
कपिलाज्येनwith tawny ghee
कपिलाज्येन:
करण (Instrument/करण)
TypeNoun
Rootकपिल + आज्य (प्रातिपदिक)
Formतत्पुरुष-समास (कपिलस्य आज्यम्), नपुंसकलिङ्ग, तृतीया, एकवचन
होमकःthe performer of oblation (homa-doer)
होमकः:
कर्ता (Agent/कर्ता)
TypeNoun
Rootहोमक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
संस्कृतप्राकृतकविःa poet (skilled) in Sanskrit and Prakrit
संस्कृतप्राकृतकविः:
कर्ता (Subject/कर्ता)
TypeNoun
Rootसंस्कृत + प्राकृत + कवि (प्रातिपदिक)
Formद्वन्द्व-समास (संस्कृत-प्राकृत) + तत्पुरुष (…कविः), पुंलिङ्ग, प्रथमा, एकवचन
काव्यशास्त्रादिवित्knower of poetics, śāstra, etc.
काव्यशास्त्रादिवित्:
कर्ता (Subject/कर्ता)
TypeNoun
Rootकाव्य + शास्त्र + आदि + विद् (प्रातिपदिक)
Formतत्पुरुष-समास (काव्यशास्त्रादीनां वित्), पुंलिङ्ग, प्रथमा, एकवचन
भवेत्would become/should become
भवेत्:
क्रिया (Action/क्रिया)
TypeVerb
Rootभू (धातु)
Formविधिलिङ् (optative), प्रथमपुरुष, एकवचन; parasmaipada

Lord Agni (in dialogue with Sage Vasiṣṭha, Agni Purana narrative frame)

Vidya Category: {"primary_vidya":"Alamkara","secondary_vidya":"Mantra","practical_application":"Mantra-dhyāna and homa regimen for acquiring eloquence, poetic skill (Sanskrit/Prakrit), and mastery of kāvya-śāstra and allied disciplines.","sutra_style":false}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Sarasvatī-siddhi for poets: dhyāna of śaktis and ghee-homa for kāvya-jñāna","lookup_keywords":["Śāṅkarī","Mati","Dhṛti","Hrīṃ bīja","kapilājya homa"],"quick_summary":"Meditate on Sarasvatī as the powers Śāṅkarī, Mati, Dhṛti (and preceding forms) with Hrīṃ and their bījas; perform homa with tawny-cow ghee to gain poetic ability and knowledge of poetics and related sciences."}

Concept: Vidya is cultivated by integrating contemplation (dhyāna), seed-syllable power (bīja), and sacrificial discipline (homa).

Application: Adopt a structured study-sādhana: mantra-focused concentration plus regular ritual practice to stabilize memory, creativity, and scholarly breadth.

Khanda Section: Sahitya-shastra (Kavya, Mantra-sadhana for learning and eloquence)

Primary Rasa: adbhuta

Secondary Rasa: bhakti

Visual Art Cues: {"scene_description":"A student-poet seated before a homa fire, offering kapilājya ghee while meditating on Sarasvatī as Śāṅkarī, Mati, Dhṛti with Hrīṃ bīja; manuscripts of kāvya-śāstra and palm-leaf texts nearby.","kerala_mural_prompt":"Kerala mural of a homa scene: square fire altar, priest-student offering ghee, Sarasvatī appearing above as luminous vāk-śakti forms; bold outlines, warm fire tones, manuscripts and veena motifs","tanjore_prompt":"Tanjore painting with gold-foiled Sarasvatī blessing a poet performing ghee-homa; thick gold on halo, altar edges, and manuscript covers; rich reds, greens, and ornate jewelry","mysore_prompt":"Mysore style instructional devotional scene: clearly drawn homa-kuṇḍa, ladle with ghee, bīja ‘Hrīṃ’ inscribed, Sarasvatī icon above; fine detailing of books labeled kāvya-śāstra and prākṛta/sanskṛta","mughal_miniature_prompt":"Mughal miniature of a learned assembly: a poet performs a small homa in a courtyard while scholars hold Sanskrit and Prakrit manuscripts; Sarasvatī envisioned subtly in the sky; intricate textiles, lamps, and calligraphic notes"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: matirdhṛtiś → मतिः + धृतिः; sarasvatīvacca → सरस्वतीवत् + च; kāvyaśāstrādividbhavet → काव्यशास्त्रादिवित् + भवेत्.

Related Themes: Agni Purana 318.9 (Sarasvatī lotus-nyāsa); Agni Purana sections on stotra/mantra-sādhana and homa procedures; Agni Purana kāvya/alaṅkāra chapters (definitions and classifications of poetic theory)

S
Sarasvati
S
Shankari
M
Mati
D
Dhriti
H
Hrīm
H
Homa

FAQs

It prescribes a Sarasvatī-oriented mantra-dhyāna (meditation on specific śakti-names and bījas, including Hrīṃ) together with a homa using kapilā-cow ghee to gain learning—especially poetic skill and knowledge of kāvya-śāstra.

It links ritual technology (bīja-mantra, deity-meditation, homa materials) with an applied cultural science (kāvya-śāstra/poetics and multilingual composition), showing how the text covers both spiritual practice and technical disciplines like literary theory.

By invoking Sarasvatī through bīja-supported meditation and homa, the practitioner is said to purify and empower speech and intellect, yielding merit expressed as clarity, retention, and inspired eloquence culminating in mastery of poetic and scholastic arts.