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Agni Purana — Agneya-vidya, Shloka 53

Dīkṣāvidhi-kathana

Explanation of the Rite of Initiation

दग्धापरस्मिन् सन्दध्यान्निर्वाणे प्रकृतिन्नरः अविकारे समादध्यादीश्वरे प्रकृतिन्नरः

dagdhāparasmin sandadhyānnirvāṇe prakṛtinnaraḥ avikāre samādadhyādīśvare prakṛtinnaraḥ

ເມື່ອ “ສິ່ງອື່ນ” ຄື ພາກນອກແລະວັດຖຸອາລົມ ຖືກເຜົາຜານແລ້ວ, ຄົນຄວນຕັ້ງຈິດພິຈາລະນາໃນ ປຣະກຣິຕິ (Prakṛti) ໃນສະພາບນິຣວານ. ໃນພຣະເຈົ້າຜູ້ບໍ່ແປປ່ຽນ (Īśvara) ກໍຄວນວາງຈິດໃຫ້ໝັ້ນຄົງໃນ ປຣະກຣິຕິ.

dagdha-aparasminin the other (state) that is burnt/consumed
dagdha-aparasmin:
Adhikarana (अधिकरण)
TypeAdjective
Rootdagdha (दह्-धातु, क्त/PPP) + apara (प्रातिपदिक) + asmin (सर्वनाम)
FormLocative (7th/सप्तमी), Singular; sense ‘in the other (state) that is burnt’ (dagdha as qualifier); compound used adjectivally
sandadhyātshould place/compose/meditate (fix)
sandadhyāt:
Kriya (क्रिया)
TypeVerb
Rootsaṃ + dhā (धातु)
FormVidhiliṅ (Optative/विधिलिङ्), Prathama-puruṣa (3rd), Singular; Parasmaipada
nirvāṇein nirvāṇa (extinction/liberation)
nirvāṇe:
Adhikarana (अधिकरण)
TypeNoun
Rootnirvāṇa (प्रातिपदिक)
FormNeuter, Locative (7th), Singular
prakṛti-naraḥthe practitioner/man (in relation to Prakṛti)
prakṛti-naraḥ:
Karta (कर्ता)
TypeNoun
Rootprakṛti + nara (प्रातिपदिक)
FormMasculine, Nominative (1st), Singular; तत्पुरुषः ‘a man connected with prakṛti / the practitioner in prakṛti-context’
avikārein the unmodified (state)
avikāre:
Adhikarana (अधिकरण)
TypeNoun
Rootavikāra (प्रातिपदिक)
FormMasculine/Neuter, Locative (7th), Singular
samādadhyātshould place/fix well
samādadhyāt:
Kriya (क्रिया)
TypeVerb
Rootsam + ā + dhā (धातु)
FormVidhiliṅ (Optative), Prathama-puruṣa, Singular; Parasmaipada
īśvarein the Lord (Īśvara)
īśvare:
Adhikarana (अधिकरण)
TypeNoun
Rootīśvara (प्रातिपदिक)
FormMasculine, Locative (7th), Singular
prakṛti-naraḥthe practitioner/man (connected with Prakṛti)
prakṛti-naraḥ:
Karta (कर्ता)
TypeNoun
Rootprakṛti + nara (प्रातिपदिक)
FormMasculine, Nominative (1st), Singular

Lord Agni (narrating Agni Purana teachings to sage Vasiṣṭha in the standard frame)

Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Tantra","practical_application":"Meditative withdrawal: after ‘burning’ objective experience, stabilize contemplation on prakṛti within nirvāṇa and in the changeless Īśvara—used as a dhyāna instruction for liberation-oriented yoga.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Nirvāṇa-dhyāna: ‘burning the other’ and fixing contemplation on Prakṛti in Īśvara","lookup_keywords":["nirvana","prakriti","ishvara","sankhya-yoga","dhyana"],"quick_summary":"First negate/consume external objectivity (‘the other’); then hold steady contemplation on prakṛti as seen in nirvāṇa and as grounded in the changeless Lord."}

Concept: Viveka and laya: the objective field is ‘burnt’ (dagdha) by knowledge/absorption; contemplation rests on prakṛti as subordinated to the changeless Īśvara, pointing to liberation through steady dhyāna.

Application: In meditation, withdraw attention from sense-objects, dissolve their impressions, then maintain one-pointed awareness on the causal ground (prakṛti) while anchoring devotion/insight in the immutable Lord.

Khanda Section: Moksha-dharma / Sankhya-Yoga (Nirvana and Prakriti–Ishvara contemplation)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A yogin seated in deep meditation; the outer world appears as ashes or fading forms; behind/within, a luminous, changeless Īśvara; prakṛti shown as a subtle veil or cosmic matrix held steady in contemplation.","kerala_mural_prompt":"Kerala mural, serene yogin in padmāsana, outer sensory world dissolving into ash-gray motifs, luminous central deity-form of Īśvara behind, prakṛti as a patterned green-gold veil, lotus and flame symbolism, calm symmetrical framing","tanjore_prompt":"Tanjore, gold haloed Īśvara as immutable center, yogin before him, background objects rendered as dimmed silhouettes turning to ash, rich gold work emphasizing changelessness, minimal but iconic composition","mysore_prompt":"Mysore style, soft gradients, contemplative yogin with subtle diagrammatic overlay: ‘dagdha-para’ as fading icons of senses, ‘prakṛti’ as translucent layer, ‘īśvara’ as steady light, instructional clarity","mughal_miniature_prompt":"Mughal miniature, refined landscape with fading worldly scene at margins, central meditating figure, ethereal luminous lordly presence, delicate smoke/ash motifs, fine detailing and subdued palette"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: Resolved: sandadhyān → sandadhyāt (as per IAST sandadhyān- likely sandadhyāt); samādadhyādīśvare → samādadhyāt + īśvare.

Related Themes: Agni Purana 27 (mokṣa-dharma / sāṃkhya-yoga thread)

N
Nirvana
P
Prakriti
I
Ishvara

FAQs

It teaches a meditative technique: after ‘burning’ attachment to the external/objective realm, one should concentrate steadily in nirvāṇa and contemplate Prakṛti as grounded in the changeless Īśvara.

Alongside ritual and worldly sciences, the Agni Purana preserves a compact mokṣa-śāstra layer—Sāṅkhya–Yoga style instructions on inner withdrawal, metaphysics (Prakṛti), and devotion/grounding in Īśvara.

By dissolving fixation on the ‘other’ and stabilizing awareness in the changeless Lord, the practitioner reduces karmic binding tendencies (saṅkalpa/āsakti) and moves toward liberation (nirvāṇa).