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Agni Purana — Agneya-vidya, Shloka 42

Dīkṣāvidhi-kathana

Explanation of the Rite of Initiation

वह्नावखिलतत्त्वानामालये व्याहृते हरौ नीयमानं क्रमात्सर्वं तत्राध्वानं स्मरेद्बुधः

vahnāvakhilatattvānāmālaye vyāhṛte harau nīyamānaṃ kramātsarvaṃ tatrādhvānaṃ smaredbudhaḥ

ນັກປັນຍາຄວນລະລຶກເປັນ «ອັດວານ» ພາຍໃນວ່າ ສິ່ງທັງປວງຖືກນໍາໄປທີລະຂັ້ນ ແລ້ວຫຼວມລົງໃນ ຮະຣິ ຜູ້ຖືກປະກາດເປັນທີ່ສະຖິດແຫ່ງຕັດຕະວະທັງຫມົດ ໃນໄຟສັກສິດ (ວະຫນິ)។

वह्नौin the fire (Agni)
वह्नौ:
अधिकरण (Adhikaraṇa/Locative)
TypeNoun
Rootvahni (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/सप्तमी), एकवचन; locative singular
अखिलतत्त्वानाम्of all principles (tattvas)
अखिलतत्त्वानाम्:
सम्बन्ध (Sambandha/Genitive)
TypeNoun
Rootakhila (प्रातिपदिक) + tattva (प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी (6th/षष्ठी), बहुवचन; genitive plural; समासः—कर्मधारय (अखिलानि तत्त्वानि)
आलयेin the abode
आलये:
अधिकरण (Adhikaraṇa/Locative)
TypeNoun
Rootālaya (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/सप्तमी), एकवचन; locative singular
व्याहृते(that is) uttered/recited
व्याहृते:
विशेषण (Viśeṣaṇa/Qualifier)
TypeVerb
Rootvi-ā-√hṛ (धातु)
Formकृदन्त—क्त (past passive participle), नपुंसकलिङ्ग/पुंलिङ्ग, सप्तमी एकवचन; locative singular agreeing with ‘हरौ’/‘आलये’ (contextual)
हरौin Hari (Viṣṇu)
हरौ:
अधिकरण (Adhikaraṇa/Locative)
TypeNoun
Roothari (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/सप्तमी), एकवचन; locative singular
नीयमानम्being led (conducted)
नीयमानम्:
कर्म (Karma/Object)
TypeVerb
Rootnīyamāna (प्रातिपदिक; √nī धातु)
Formकृदन्त—शानच् (present passive participle), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; nominative/accusative singular (context: object of स्मरेत्)
क्रमात्in sequence
क्रमात्:
क्रियाविशेषण (Kriyāviśeṣaṇa/Adverbial)
TypeIndeclinable
Rootkrama (प्रातिपदिक)
Formअव्यय—तसिल्-प्रत्ययान्त (ablatival adverb); ‘in order/stepwise’
सर्वम्everything
सर्वम्:
कर्म (Karma/Object)
TypeNoun
Rootsarva (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन; accusative singular
तत्रthere
तत्र:
अधिकरण (Adhikaraṇa/Locative)
TypeIndeclinable
Roottatra (अव्यय)
Formअव्यय—देशवाचक (locative adverb)
अध्वानम्the path (course)
अध्वानम्:
कर्म (Karma/Object)
TypeNoun
Rootadhvan (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन; accusative singular
स्मरेत्should remember
स्मरेत्:
क्रिया (Kriyā/Verb)
TypeVerb
Root√smṛ (धातु)
Formलोट्/विधिलिङ् (optative/विधिलिङ्), परस्मैपद, प्रथमपुरुष (3rd), एकवचन; ‘should remember’
बुधःthe wise person
बुधः:
कर्ता (Kartā/Subject)
TypeNoun
Rootbudha (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; nominative singular

Lord Agni (traditionally narrating the Agni Purana’s teachings to Sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Inner ritual (adhvan-smaraṇa) visualization: mentally reabsorbing the cosmos/tattvas into Hari-as-Fire to stabilize concentration before/within pūjā and homa.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Adhvan-smaraṇa: Tattva-laya into Hari in Vahni","lookup_keywords":["adhvan-smarana","tattva-laya","vahni","Hari","inner visualization"],"quick_summary":"Contemplate the inner ‘path’ as a stepwise merging of all principles (tattvas) into Hari, envisioned as the indwelling abode within the sacred Fire. This functions as a meditative map for ritual interiorization and concentration."}

Concept: Laya (reabsorption) of tattvas into the Supreme (Hari) through contemplative sequencing (krama).

Application: Use as a pre-ritual or mid-ritual dhyāna to unify attention, reduce distraction, and align outer offerings with inner dissolution.

Khanda Section: Puja-vidhi / Mantra-tantra (Adhvan-smaraṇa; inner ritual visualization)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A meditating sādhaka before a consecrated fire; subtle streams of tattvas (elements, senses, mind) moving stepwise into a radiant Hari-form seated within the flames.","kerala_mural_prompt":"Kerala temple mural style, flat rich colors, central homa-kunda with stylized flames; within the fire a serene Hari with halo; concentric bands labeled as tattvas dissolving inward; priest in white dhoti in dhyāna, sacred geometry motifs.","tanjore_prompt":"Tanjore painting, gold leaf flames around a small sanctified fire; Hari inside the fire with ornate crown and jewelry; embossed gold for halo and flame tongues; miniature tattva symbols (earth, water, fire, air, ether) moving into the deity.","mysore_prompt":"Mysore painting style, delicate linework; instructional diagram feel: stepwise arrows from tattva icons into a central fire containing Hari; calm palette, minimal background, emphasis on sequence (krama).","mughal_miniature_prompt":"Mughal miniature, detailed ritual chamber; a yogin-priest seated near a brazier; translucent layers showing subtle tattvas flowing into a luminous Vishnu figure within the fire; fine borders and calligraphic labels."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: वह्नौ + अखिलतत्त्वानाम् → वह्नावखिलतत्त्वानाम्; तत्र + अध्वानम् → तत्राध्वानम्; स्मरेत् + बुधः → स्मरेद्बुधः; क्रमात् + सर्वम् → क्रमात्सर्वम्.

Related Themes: Agni Purana 27 (Pūjā-vidhi / mantra-tantra sections on adhvan, nyāsa, laya); Agni Purana 27.45 (paired tattva reabsorption); Agni Purana 27.46 (final jñāna-yoga dissolution)

A
Agni (Vahni)
H
Hari (Vishnu)
T
Tattvas

FAQs

It teaches adhvan-smaraṇa: a structured visualization where the practitioner contemplates the ordered (krama) withdrawal/merging of all tattvas into Hari, with Agni as the ritual-psychic locus.

It exemplifies the text’s integration of ritual practice with metaphysical taxonomy (tattva-theory) and yogic visualization, showing how the Agni Purana combines pūjā-vidhi, tantra-style inner practice, and cosmological doctrine.

By remembering the tattvas’ ordered return into Hari through the sanctified fire, one cultivates inner purification and one-pointed devotion, aligning the mind with the cosmic source and reducing karmic entanglement through contemplative re-integration.