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Varaha Purana 7.33: Adhyaya 7, Shloka 33

The Sanctity of Gayā: Raibhya’s Encounter and Hymn to Viṣṇu

Gadādhara

सितं कृते त्रेतायुगेऽरुणं विभुं तथा तृतीये पीतवर्णमच्युतम् । कलौ घनालिप्रतिमं महेश्वरं गदाधरं प्रणमति यः सुखं वसेत् ॥ ७.३३ ॥

Sanskrit recitationVaraha Purana 7.33

sitaṃ kṛte tretāyuge'ruṇaṃ vibhuṃ tathā tṛtīye pītavarṇam acyutam | kalau ghanālipratimaṃ maheśvaraṃ gadādharaṃ praṇamati yaḥ sukhaṃ vaset || 7.33 ||

ಕೃತಯುಗದಲ್ಲಿ ಅವರು ಶ್ವೇತವರ್ಣ; ತ್ರೇತಾಯುಗದಲ್ಲಿ ಆ ವಿಭು ಅರುಣವರ್ಣ; ಮೂರನೇ (ದ್ವಾಪರ) ಯುಗದಲ್ಲಿ ಅಚ್ಯುತ ಪೀತವರ್ಣ. ಕಲಿಯುಗದಲ್ಲಿ ಘನಮೇಘಪಿಂಡದಂತೆ ಶ್ಯಾಮ—ಮಹೇಶ್ವರನಾದ ಗದಾಧರ. ಯಾರು ಅವರಿಗೆ ಪ್ರಣಾಮ ಮಾಡುತ್ತಾರೋ, ಅವರು ಸುಖವಾಗಿ ವಾಸಿಸುವರು।

sitamwhite
sitam:
Karma (कर्म)
TypeAdjective
Rootsita (प्रातिपदिक)
FormPuṁliṅga, Dvitīyā, Ekavacana; विशेषणम् to implied deity
kṛtein the Kṛta age
kṛte:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootkṛta-yuga (प्रातिपदिक)
FormNapumsaka, Saptamī, Ekavacana; 'in Kṛta (Satya) age' (locative)
tretā-yugein the Tretā age
tretā-yuge:
Adhikaraṇa (अधिकरण)
TypeNoun
Roottretā (प्रातिपदिक) + yuga (प्रातिपदिक)
FormNapumsaka, Saptamī, Ekavacana; 'in Tretā age'
aruṇamreddish
aruṇam:
Karma (कर्म)
TypeAdjective
Rootaruṇa (प्रातिपदिक)
FormPuṁliṅga, Dvitīyā, Ekavacana; विशेषणम्
vibhumthe all-pervading Lord
vibhum:
Karma (कर्म)
TypeNoun
Rootvibhu (प्रातिपदिक)
FormPuṁliṅga, Dvitīyā, Ekavacana
tathālikewise
tathā:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Roottathā (अव्यय)
FormAvyaya; adverb (क्रियाविशेषण): 'thus/likewise'
tṛtīyein the third (age)
tṛtīye:
Adhikaraṇa (अधिकरण)
TypeNoun
Roottṛtīya (प्रातिपदिक)
FormNapumsaka (yuga implied), Saptamī, Ekavacana; 'in the third (age)' i.e., Dvāpara
pīta-varṇamyellow-colored
pīta-varṇam:
Karma (कर्म)
TypeAdjective
Rootpīta (प्रातिपदिक) + varṇa (प्रातिपदिक)
FormPuṁliṅga, Dvitīyā, Ekavacana; कर्मधारयः: 'yellow-colored'
acyutamAcyuta (the infallible)
acyutam:
Karma (कर्म)
TypeNoun
Rootacyuta (प्रातिपदिक)
FormPuṁliṅga, Dvitīyā, Ekavacana
kalauin the Kali age
kalau:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootkali-yuga (प्रातिपदिक)
FormNapumsaka, Saptamī, Ekavacana; 'in Kali age'
ghana-āli-pratimamdark like a swarm/mass (of bees)
ghana-āli-pratimam:
Karma (कर्म)
TypeAdjective
Rootghana (प्रातिपदिक) + āli (प्रातिपदिक) + pratima (प्रातिपदिक)
FormPuṁliṅga, Dvitīyā, Ekavacana; बहुपद-तत्पुरुषः: 'resembling a mass of bees/dark cloud-like' (context: dark as a swarm)
maheśvaramthe Great Lord
maheśvaram:
Karma (कर्म)
TypeNoun
Rootmaheśvara (प्रातिपदिक)
FormPuṁliṅga, Dvitīyā, Ekavacana
gadā-dharamthe mace-bearer
gadā-dharam:
Karma (कर्म)
TypeNoun
Rootgadā (प्रातिपदिक) + dhara (प्रातिपदिक)
FormPuṁliṅga, Dvitīyā, Ekavacana
praṇamatibows down
praṇamati:
Kriyā (क्रिया)
TypeVerb
Rootpra-√nam (धातु; नम्-प्रणामे)
FormLaṭ (Present), Prathama-puruṣa, Ekavacana, Parasmaipada
yaḥwho
yaḥ:
Karta (कर्ता)
TypeNoun
Rootyad (यद्-प्रातिपदिक)
FormPuṁliṅga, Prathamā, Ekavacana; relative pronoun
sukhamhappily
sukham:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootsukha (प्रातिपदिक)
FormAvyaya used adverbially
vasetmay dwell
vaset:
Kriyā (क्रिया)
TypeVerb
Root√vas (धातु; वस्-निवासे)
FormVidhi-liṅ (Optative), Prathama-puruṣa, Ekavacana, Parasmaipada

Varāha (default speaker per dialogue framework; not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false,"krishna_connection":"Dvāpara yellow (pīta) and Kali dark-cloud (ghana-āli) can be read as general Viṣṇu/Kṛṣṇa color-theology, but Mathurā is not named."}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Yuga-dharma accommodation: the one Lord appears with age-appropriate varṇa (color) to guide beings; form-variation signals compassionate accessibility of the Absolute across cosmic time.","yajna_varaha_imagery":"Color-coding across yugas functions as a ritual-cosmic marker (like changing sacrificial modes by age), though no explicit Varāha-yajña limb-mapping is given here.","vedantic_connection":"Eka-deva with nāma-rūpa variation: the unchanging Brahman/Īśvara is apprehended through changing upādhis suited to yuga-conditions; supports saguna-upāsanā without denying unity."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"cosmology + theology","core_concept":"The Lord’s manifestations adapt to yuga while his divinity remains constant; devotion transcends temporal change.","practical_application":"Maintain steady worship in Kali by fixing mind on the dark-cloud-hued Lord; do not doubt efficacy of bhakti due to age’s decline."}

Subject Matter: ["Cosmology","Yuga Theory","Iconography","Devotional Practice"]

Primary Rasa: adbhuta

Secondary Rasa: bhakti

Type: temporal/cosmological frame

Related Themes: Varāha Purāṇa 7.7.31-35 (same stotra sequence)

Visual Art Cues: {"scene_description":"A four-panel (or continuous) depiction of the same Gadādhara across the four yugas: white in Kṛta, red in Tretā, yellow in Dvāpara, and dark like rain-clouds in Kali, each receiving a devotee’s bow.","item_prompts":["Four color-forms of the same deity","consistent attributes: gadā, regal posture","subtle yuga markers (austere sages for Kṛta, sacrificial fires for Tretā, royal court for Dvāpara, crowded Kali city/temple for Kali)"],"kerala_mural_prompt":"Kerala mural: four registers with strong flat colors (śveta/aruṇa/pīta/ghana), identical iconography, decorative borders, rhythmic symmetry.","tanjore_prompt":"Tanjore: four framed icons with gold-leaf halos and ornaments; background colors emphasize yuga-varṇa; inscriptions of yuga names.","mysore_prompt":"Mysore: elegant quartet with nuanced shading of skin tones, fine jewelry, gentle transitions, classical composure.","pahari_prompt":"Pahari: narrative scroll-like sequence through changing landscapes of yugas, soft pastels for early yugas, deeper indigo for Kali."}

Audio Atmosphere: {"recitation_mood":"wonder-filled yet steady","suggested_raga":"Śaṅkarābharaṇam","pace":"medium","voice_tone":"bright, explanatory, devotional"}

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It reflects a Purāṇic pattern of correlating cosmic time (the four yugas) with recognizable iconographic or descriptive markers, functioning as a concise doctrinal-encyclopedic summary typical of Purāṇa literature.

No geographic location is named in this verse; its focus is chronological (yuga-based) description rather than sacred geography.

The verse presents a philosophical instruction centered on respectful homage (praṇāma) toward the described deity-form, framing it as conducive to well-being (sukha) in one’s life.

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