औत्तानपादिरस्पृश्य उत्तमो हि सुरैः कृतः । अथ चेत्तत्र संयामि न महीसागरस्ततः
auttānapādiraspṛśya uttamo hi suraiḥ kṛtaḥ | atha cettatra saṃyāmi na mahīsāgarastataḥ
ಔತ್ತಾನಪಾದಿ ಧ್ರುವನೂ ಕೂಡ, ಒಮ್ಮೆ ಅಸ್ಪೃಶ್ಯನೆಂದು ಎಣಿಸಲ್ಪಟ್ಟಿದ್ದರೂ, ದೇವತೆಗಳಿಂದ ಪರಮೋತ್ತಮ ಸ್ಥಾನಕ್ಕೆ ಏರಿಸಲ್ಪಟ್ಟನು. ಆದರೆ ನಾನು ಅಲ್ಲಿ ಹೋದರೆ, ಈ ಭೂಮಿ-ಸಾಗರ ಸಂಗಮವು ನನಗೆ ಮತ್ತೆ (ಲಭ್ಯ) ಇರದು.
Same narrator (reflective voice) within Sūta’s discourse (deduced)
Tirtha: Mahī-sāgara-saṅgama (as indicated)
Type: sangam
Scene: A pilgrim at a dramatic shoreline confluence where river meets ocean; he recalls Dhruva’s ascent—shown as a child-sage rising toward a star—while the pilgrim hesitates, torn between going elsewhere and staying at the saṅgama.
Even one considered impure can be elevated by divine grace; yet discernment about where to go and what dharma requires remains crucial.
Mahī-sāgara-saṅgama—described as a sacred confluence of land (mahī) and ocean (sāgara).
No direct rite is stated; the verse frames a pilgrimage decision connected to the sanctity of a saṅgama.