गायंती मधुरं गीतं नृत्यंती निजलीलया । ध्यायंती लिंगमोंकारं तत्र लिंगे लयं ययौ
gāyaṃtī madhuraṃ gītaṃ nṛtyaṃtī nijalīlayā | dhyāyaṃtī liṃgamoṃkāraṃ tatra liṃge layaṃ yayau
ಮಧುರ ಗೀತಗಳನ್ನು ಹಾಡುತ್ತಾ, ತನ್ನ ಸಹಜ ಭಕ್ತಿಲೀಲೆಯಿಂದ ನೃತ್ಯಮಾಡುತ್ತಾ, ಲಿಂಗವನ್ನು ಓಂಕಾರಸ್ವರೂಪವೆಂದು ಧ್ಯಾನಿಸುತ್ತಾ, ಅವಳು ಅಲ್ಲಿ ಅದೇ ಲಿಂಗದಲ್ಲಿ ಲೀನಳಾದಳು।
Skanda
Tirtha: Praṇaveśa (Oṃkāra-liṅga) in Kāśī
Type: kshetra
Scene: Inside a lamp-lit sanctum, Mādhavī sings and dances with spontaneous grace before the liṅga; her gaze turns inward as the Oṃkāra-liṅga seems to radiate; the moment culminates in her merging into the liṅga’s light.
Bhakti expressed through song, dance, and praṇava-meditation can culminate in liberation—absorption in Śiva—especially in Kāśī.
Kāśī, in the context of the Oṃkāra-associated liṅga (Praṇaveśa/Oṃkāreśvara).
Dhyāna on the liṅga as Oṃkāra, alongside devotional kīrtana (singing) and nṛtya (sacred dance).